The Exorcist (Extended Director's Cut & Original Theatrical Edition) [Blu-ray]

• Controversial and popular from the moment it opened, The Exorcist marks its historic Blu-ray premiere in a 2-Disc Edition featuring Stunning Hi-Def Presentations of the Original 1973 Theatrical Version and the 2000 Extended Director s Cut. The frightening and realistic tale of an innocent girl inhabited by a terrifying entity, her mother s frantic resolve to save her and two priests one doubt-ridd

Controversial and popular from the moment it opened, The Exorcist marks its historic Blu-ray premiere in a 2-Disc Edition featuring Stunning Hi-Def Presentations of the Original 1973 Theatrical Version and the 2000 Extended Director's Cut. The frightening and realistic tale of an innocent girl inhabited by a terrifying entity, her mother's frantic resolve to save her and two priests--one doubt-ridden, the other a rock of faith--joined in battling ultimate evil always leaves viewers breathless. This ! greatest supernatural thriller of all time astonishes and unsettles like no other movie. Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism. Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by Satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by trouble during production, and the years since have not dimi! nished its capacity to disturb even the most stoic viewers. --Jeff Shannon

Mans Question Gods Answer (Updated)

• ISBN13: 9780883686669
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

What was in the briefcase in Pulp Fiction? Why don't movie actors wear seat belts? Was Fargo really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.What was in the briefcase in PULP FICTION? Why don't movie actors wear seat belts? Was FARGO really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions abou! t the moviesand some of the most bizarre.What was in the briefcase in PULP FICTION? Why don't movie actors wear seat belts? Was FARGO really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.Discover how it feels to know you’re God’s much-loved son.
 
“I’ve spent most of my life struggling to believe, really believe, that God loves and cares about me personally. Not as one among many. But me. By God’s grace, not only do I believe today that God loves me, but I actually feel like His much-loved son. Special. Fully alive. You can too. Let me show you how you can satisfy this primal need. No man should have to settle for being half alive.”
 
â€"Patrick Morley, Becoming a Man AliveFilled with discussions on more than 200 topics ! and issues that separate us from the perfect will of God, Man'! s Questi on, God's Answer is not just a book for counsellors. It is also a vital and powerful tool for personal evangelism. LuAnn Bransby has designed this book to reveal the consequences of sin as well as the blessings of God to those who overcome. Its easy-to-use format will help you take control over your life and circumstances, and help others who face similar problems and issues. If you are searching for the right answer to a difficult situation or sinful behavior, this is the book to read!

Gracie

• Meet Gracie Bowen, she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer. on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the so

Meet Gracie Bowen, she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer... on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the soccer field, Gracie must summon all of her strength and courage, to finally show the world that a girl wi! th a dream can do absolutely anything!

DVD Features:
Audio Commentary
Featurette
Theatrical Trailer

Both on-screen and off, Gracie is an inspiring family affair that turns real-life tragedy into a spirited tale of fortitude. With former Melrose Place star Andrew Shue serving as producer and playing a supporting role, and his actress sister Elisabeth Shue (Leaving Las Vegas) in a supporting role, this modest, $10 million independent production was directed by Elisabeth Shue's husband, TV veteran Davis Guggenheim (director of Al Gore's global-warming documentary An Inconvenient Truth), and loosely inspired by the death of the Shues' brother, Will. Elisabeth Shue's successful late-1970s campaign to replace her late brother on his high school soccer team serves as the basis for this appealing, no-frills drama about Gracie Bowen (Carly Schroeder), an athletic New Jersey teenager whose soccer-star brother i! s killed in a car accident. Against the wishes of her initiall! y unsupp ortive parents (Dermot Mulroney, Elisabeth Shue), she pays tribute to her brother by pursuing his place on her high school's boy's soccer team. The year is 1978 (with Boston's "Don't Look Back" and other '70s hits on the soundtrack), and girls' soccer doesn't yet exist in American high schools, but Gracie's determination pays off, and without attempting to reinvent the wheel, Gracie emerges as a satisfying, emotionally authentic story of personal perseverance. In a role that all teenage girls will relate to, Schroeder (a seasoned child-star veteran of soap operas and sitcoms) gives a quietly forceful performance that's sure to boost her Hollywood profile, and the fine supporting cast and a sensibly-written screenplay keep Gracie from becoming the maudlin tear-jerker it might have been. Gracie isn't a great film by any means, but for all its familial heart and soul, it deserves to be called a winner. --Jeff Shannon

Enduring Love: A Novel (Sydney Cove)

• ISBN13: 9780800731786
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, ! and suspense, and of how life can change in an instant.Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them w! ith an uneasy combination of shame, happiness, and endless se! lf-repro ach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only th! e wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.Just when things seem to be looking up for John and Hannah Bradshaw, their world is turned upside down. Years ago, John was in prison when he was told his first wife, Margaret, died. So how is it that she shows up in Sydney Town looking to pick up where they left off?

! Her marriage now null and void, Hannah is distraught. But she ! and John feel they must separate to allow John's first marriage to continue. But is Margaret hiding something after all? And just what will she do to get what she wants?

This conclusion to the Sydney Cove trilogy will draw readers in with its suspenseful, romantic, and tender narrative.

Festival in Cannes - Anouk Aimee - Movie Poster 27" X 40" (379)

• Festival in Cannes
• Anouk Aimee
• Movie
• Poster
• Measures 27" X 40"

Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase f! or a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyFilming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, includ! ing Maximilian Schell as Millie's husband and Ron Silver as th! e produc er behind the Hanks project. --Kathleen C. FennessyScreenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-notes of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.comFESTIVAL IN CANNES Movie Poster. Starring: Anouk Aimée & Greta Scacchi. Written and Directed by: Henry Jaglom. 2002 Paramount Pictures. Measures 27" X 40"

Mechanix Wear MCW2-08-010 Zone 2 Cold Weather Glove, Black/Grey, Large

• Designed to provide top notch wind resistance and durable cold weather protection
• Snug fitting design which combines the warmth and breathability of fleece
• Features a concealed seam stitching and is suitable for temperature between 0-32 degrees
• A snug fit improves hand dexterity and gives this glove a secure and comfortable feel
• For working conditions down to 0 degrees

A Dulcie Schwartz feline mystery - When a student goes missing and a professor ends up dead, Dulcie Schwartz realizes that midterms are going to be worse than ever. She’s hard at work on her thesis, but present day concerns â€" including the destructive mischief of her growing kitten â€" keep dragging her back into a tangle of motive, misbehavior, and maybe even murder. If only Mr Grey, her beloved feline ghost, would lend a hand, at least with that rambunctious kitten . . .

A ! stunning foray into the mind and actions of the acclaimed actor/writer/director who worked for more than five years to produce first a play, then a movie, now a bookâ€"his most personal work to date, a searing Holocaust drama starring David Arquette, Daniel Benzali, Steve Buscemi, David Chandler, Allen Corduner, Harvey Keitel, Natasha Lyonne, and Mira Sorvino. Tim Blake Nelson's powerful account of what inspired him, and how he prepared himself and others to make this haunting movie, reveals how and why a writer/director chooses such a difficult subject and surmounts its challenges. First realized as a play, which earned numerous awards, the story is based on historical events, centering on Auschwitz's twelfth Sonderkommando squad, prisoners assigned work in the crematoria, and their struggle to organize the only armed revolt in October of 1944. Financed by Millennium Films, produced by Killer Films, and released by Lions Gate Films in the US, The Grey Zone deb! uted in the United States in October 2002, garnering major med! ia atten tion.

This book is the definitive record of Nelson's journeyâ€"from his initial readings and research, to assembling a brave cast that could tackle the material, to reconstructing the crematoria 80 percent to scale on location outside of Sofia, Bulgaria, and to his work with the art director, costume and production designers, and others on his team.

To acquaint his cast and crew with the difficult material, Nelson summarized his research and his cinematic vision in a compelling, lengthy pre-production memo, which is reproduced in this book. Also included are his screenplay, his annotated reading list, movie stills, excerpts from an essay by Primo Levi, and the source chapter from the book Auschwitz: A Doctor's Eyewitness Account, by Dr. Miklos Nyiszli.

Decade of Fear is a darkly entertaining journey through the complicated, often bizarre world of national security since 9/11. On that night, Toronto Star journalist Michelle Shephard watched t! he remains of New York’s World Trade Center fall from the sky, wondering what much of the world was asking: Â"Why?” So began a ten-year search for answers that took her through the streets of Mogadishu and Karachi, into the mountains of Waziristan and behind the wire of Guantanamo Bay two dozen times.

Shephard conducted hundreds of interviews worldwide, and with sharp insight and an appreciation for the absurd, she weaves together stories of warlords, presidents, spies, grieving widows and global terrorists, to describe the historic decade where often the West’s Â"solutions” for terrorism only served to exacerbate the problem. She cruises with former CIA bosses, runs alongside protestors in the streets of Sanaa to escape fire from Yemen’s security services during experience the Arab Spring, meets victims of terrorism who leave her devastated, and earns enough stamps on her Gitmo Starbucks card for a free latte. Gripping, heartbreaking and infuriating! , Decade of Fear broadens our understanding of a decade! that wa s all too often described through panicked rhetoric.

Mechanix Wear Climate Control Zone 2 gloves provide superior wind resistance and durable cold weather protection. Snug fitting design combines warmth and breathability of fleece with a specially designed wind-resistant lining. Palms are made of Clarino synthetic leather, with Zeus rubberized material in high wear areas for added strength and tactility. Size: L, Color: Black, Shell: Heavyweight fleece, Lining: Wind resistant, Cuff Material: Neoprene, Palm Material: Clarino synthetic leather, Pairs (qty.): 1

The Exorcist (Extended Director's Cut & Original Theatrical Edition) [Blu-ray]

• Controversial and popular from the moment it opened, The Exorcist marks its historic Blu-ray premiere in a 2-Disc Edition featuring Stunning Hi-Def Presentations of the Original 1973 Theatrical Version and the 2000 Extended Director s Cut. The frightening and realistic tale of an innocent girl inhabited by a terrifying entity, her mother s frantic resolve to save her and two priests one doubt-ridd

Controversial and popular from the moment it opened, The Exorcist marks its historic Blu-ray premiere in a 2-Disc Edition featuring Stunning Hi-Def Presentations of the Original 1973 Theatrical Version and the 2000 Extended Director's Cut. The frightening and realistic tale of an innocent girl inhabited by a terrifying entity, her mother's frantic resolve to save her and two priests--one doubt-ridden, the other a rock of faith--joined in battling ultimate evil always leaves viewers breathless. This ! greatest supernatural thriller of all time astonishes and unsettles like no other movie. Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism. Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by Satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by trouble during production, and the years since have not dimi! nished its capacity to disturb even the most stoic viewers. --Jeff Shannon

Full Metal Jacket

• The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 085391163114 UPC: 085391163114 Manufacturer No: 116311

The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines a! nd abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murdero! us half-wit (Vincent D'Onofrio). Matthew Modine gives a smart ! and savv y performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh

American History X [Blu-ray]

• Derek Vinyard is dangerous, a coiled fury of hate who leads a neo-Nazi gang. But time and events start to change him. He reassesses his ways while doing time for manslaughter and emerges from prison eager to keep his younger brother (Edward Furlong) from falling victim to the thug cycle of violence and payback. It may be too late.Weaving in and out of events past and present in Dereks life, Americ

Nanette Burstein's 2008 documentary.A documentary following the lives of four teenagers -- a jock, the popular girl, the artsy girl and the geek--in one small town in Indiana through their senior year of high school. We see the insecurities, the cliques, the jealousies, the first loves and heartbreaks, and the struggle to make profound decisions about the future. Filming daily for ten months, filmmaker Nanette Burstein developed a deep understanding of her subjects. The result is a film that goes be! yond the enduring stereotypes of high school to render complex young people trying to find their way into adulthood.Derek Vinyard is dangerous, a coiled fury of hate who leads a neo-Nazi gang. But time and events start to change him. He reassesses his ways while doing time for manslaughter and emerges from prison eager to keep his younger brother (Edward Furlong) from falling victim to the thug cycle of violence and payback. It may be too late. Weaving in and out of events past and present in Dereks life, American History X is revealing in its look at white-supremacist gangs and impassioned in its message that hatred and bigotry can be unlearned. Edward Norton (Fight Club, Pride and Glory) portrays Derek, giving a powerful, persuasive, Oscar®-nominated* performance.Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white suprem! acy. If that statement doesn't horrify you, it should; Norton ! is so fu lly immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Der! ek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

Dance Flick : Widescreen Edition

• Widescreen

Street dancer Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter into the mother of all dance battles.The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (! Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)

DANCE FLICK - Blu-Ray MovieThe spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everythi! ng that pops into their heads: Twilight, Dick Cheney, ! the self -consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)

The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directi! ng, from a script written by him and Keenen Ivory Wayans, Shaw! n Wayans , Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance

Field of Dreams (Full Screen Two-Disc Anniversary Edition)

• * Digitally Remastered Picture with all-new 5.1 Surround Sound
• * Languages - English and French * Subtitles English, French and Spanish

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 107 minutes

A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyon! e knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply ! that the baseball field created for the production has now bec! ome a me cca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled! after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon“If you build it, he will come.” With these words, Iowa farmer Ray Kinsella (Kevin Costner) is inspired by a voice he can’t ignore to pursu! e a dream he can hardly believe. Also starring Ray Liotta, Jam! es Earl Jones and Amy Madigan, Field of Dreams is an extraordinary and unforgettable experience that has moved critics and audiences like no other film of its generation. Field of Dreams is a glowing tribute to all who dare to dream.A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will com! e," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --! Jeff ShannonA phenomenal hit when it was released in 1989,! Fie ld of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary! or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonAn Iowa farmer is inspired by a voice he cannot ignore to pursue a dream and turns his cornfield into a baseball field so that some baseball legends can come and play.
Genre: Feature Film-Drama
Rating: PG
Release Date: 23-AUG-2005
! Media Type: DVDA phenomenal hit when it was released in 19! 89, F ield of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a ! visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilli! ant adaptation of W.P. Kinsella's exquisite baseball novel ! Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of b! aseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon

Fisher Science Education Histology Microscopic Slide: Blood Smear, WR Stain; Human

• Slides sets are prepared using quality materials and glass slides with finely-ground edges
• Slide preparation involves several steps, which can vary according to specimen type and the stain procedure that ensures the best quality
• Strict quality control is performed is after each step to make certain that the final product is of the finest quality

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser.

Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. ! It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Plac! e--the gossip, the jealousy, the acrimony, the boredom, the l! ies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced r! etirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux ! is intriguingly (and convincingly) nutty, and any number of m! inor cha racters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts o! f his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

Athena Colle! ge was snoozing complacently in the Berkshires until Coleman ! Silk--fo rmerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibi! lity, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead th! e raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about! Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflic! ting moralities and ideological divisions are made manifest th! rough pu blic denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

>

Nathan Zuckerman, Roth's favorite narrator, is at it again, and Bookclub-in-a-Box is right by his side. After you read this fascinating book, read the Bookclub-in-a-Box discussion guide and discover Roth's genius as a writer. If one is already a fan of Philip Roth, they will be thrilled with this discussion; if they are not yet a fan, they will become one with the help of Bookclub-in-a-Box.

Slide, Prepared Microscopic; Fisher Science Education; Lung Tuberculosis, sec. H/E stain HumanPrepared by skilled technic! ians using state-of-the-art equipment. Slides are made of highest quality materials, which provide the clearest image of the subject. On request, special slides to provide exact requirement for Biology labs are provided.

Head in the Clouds

• ISBN13: 9780764207563
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

As war clouds gather over Europe, a free-spirited socialite and her two lovers live a life of pleasure and privilege until the Spanish Civil War tears them apart. Starring Charlize Theron and Penelope Cruz.If movies were solely about the cheap pleasure of watching gorgeous people make grand gestures in epic circumstances--because, sure, sometimes movies are--director/screenwriter John Duigan's goopy, obvious, overwrought contemplation of how global unrest really messes with your love life would be Oscar-worthy. Charlize Theron, Stuart Townsend, and Penelope Cruz are headstrong 1930s playthings who each discover that they need to pull their attractive heads out of their inviting behinds if th! ey're going to play a part in stopping the spread of European fascism. Charlize is socialite Gilda, who ensnares both brooding, Cambridge-educated Irishman Townsend and Spanish rebel Cruz (who is particularly ill-defined) in a love triangle while seemingly caring not a whit for the imminent goosesteps of the Nazis. Charlize wears a lot of fabulous outfits, and she and real-life paramour Townsend do impetuous things like sport fedoras while romping in a milky-white bathtub; Cruz, meanwhile, performs a passionate impromptu striptease. Hey, there are worse ways to be entertained. Unfortunately, you don't really give a damn about any of them, and you can predict what's going to happen to all of them well before it actually does. It's an efficient, glamorous, hokey, ultimately downbeat time-killer for anyone willing to spend two hours trying to decide which of the doe-eyed trio you'd save from destruction first. --Steve WieckingAdelaide Proctor is a young woman with her h! ead in the clouds, longing for a real-life storybook hero to c! laim as her own. But when a husband-hunting debacle leaves her humiliated, she interviews for a staid governess position on a central Texas sheep ranch and vows to leave her romantic yearnings behind.

When Gideon Westcott left his privileged life in England to make a name for himself in America's wool industry, he never expected to become a father overnight. And five-year-old Isabella hasn't uttered a word since she lost her mother. The unconventionality of the new governess concerns Gideon--and intrigues him at the same time. But he can't afford distractions. He has a ranch to run, a shearing to oversee, and a suspicious fence-cutting to investigate.

When Isabella's uncle comes to claim the child--and her inheritance--Gideon and Adelaide must work together to protect Isabella from the man's evil schemes. And soon neither can deny their growing attraction. But after so many heartbreaks, will Adelaide be willing to get her head out of the clouds and put her heart o! n the line?

Beneath Dark Seas Canvas Print / Canvas Art - Artist John Krakora

• Museum Quality Canvas Print
• Gallery Wrapped on 1.5" Stretcher Bars
• Arrives "Ready to Hang" with Hanging Wire, Mounting Hooks, and Nails
• Available in a Variety of Sizes
• Includes 30-Day Money Back Guarantee

A dark road, a sleepy driver, a motel looming out of the night. Writer-director Chad Feehan takes those classic thriller elements and weaves a disturbing and compelling tale of love and the nightmare grip of ghosts from our past. Josh Stewart ("The Curious Case of Benjamin Button") and Jamie-Lynn Sigler ("The Sopranos") deliver intense performances as a young couple who take refuge in a roadside motel. Soon, the couple has crossed paths with a mysterious desk clerk and his sultry blond wife, as well as a stranger who is somehow privy to their most closely guarded secrets. Like a love story by way of "The Twilight Zone," "Beneath the Dark" touches your heart ev! en as it chills your blood.

BENEATH THE DARK ICE

When a plane crashes into the Antarctic ice, exposing an enormous cave system, a rescue and research team is dispatched. Twenty-four hours later, all contact is lost.

Captain Alex Hunter and his highly trained commandos, along with a team of scientists, are fast tracked to the hot zone to find out what went wrong. Meanwhile, the alluring petrobiologist Aimee Weir is sent to follow up on the detection of a vast underground reservoir. If the unidentified substance proves to be oil, every country in the world will want to know about it--even wage war over it. Or worse.

Once suspended into the caves, Alex, Aimee, and the others can't locate a single survivor--or even a trace of their remains. Nor is there a energy source, only specters of the dead! haunting the tunnels. But soon they will discover that someth! ing very much alive is brewing beneath the surface. It is a force that dates back to the very dawn of time--an ancient terror that hunts and kills to survive...

BENEATH THE DARK ICE REVIEWS:

* BUCKLE UP... This is going to be a hell of a ride! Jonathan Maberry - Bram Stoker Award winning author of The Wolfman (now a major motion picture).
 
* Beneath the Dark Ice - Quickly paced, imaginatively detailed, and highly atmospheric, Beck's novel is an entertaining mix of thriller, horror, fantasy, and science fiction. Neal Wyatt, RA Crossroads, LIBRARY JOURNAL 
 
* Beneath the Dark Ice has all the ingredients of a late night pa! ge-turner: a remote and dangerous setting, a rugged hero with an Achilles heel, a vicious and deadly villain, geopolitical intrigue and cutting-edge science. Throw in a feisty heroine and a band of elite soldiers, put them in the ruins of an ancient civilization and pit them against a mythological creature, and it's a recipe for compulsive reading. Lachlan Jobbins, Good Reading Magazine.
 
* Fast Paced, fun and fantastic debut from a great new talent. Perfect escapism. Paperchain Books.
 
* Beneath the Dark Ice - In a word: GRIPPING. Malcolm Tattersall, Townsville BULLETIN.
 
* Exciting Read! A successful mix of spy thriller, psychologi! cal drama, and scientific primeval action novel - with just a ! touch of the Jules Verne. Anne Dickson, Rodney Libraries.

When a plane crashes into the Antarctic ice, exposing an enormous cave system, a rescue and research team is dispatched. Twenty-four hours later, all contact is lost.

Captain Alex Hunter and his highly trained commandos, along with a team of scientists, are fast tracked to the hot zone to find out what went wrong. Meanwhile, the alluring petrobiologist Aimee Weir is sent to follow up on the detection of a vast underground reservoir. If the unidentified substance proves to be oil, every country in the world will want to know about itâ€"even wage war over it. Or worse.

Once suspended into the caves, Alex, Aimee, and the others can’t locate a single survivorâ€"or even a trace of their remains. Nor is there a energy source, only specters of the dead haunting the tunnels. But soon they will discover that something very much alive is brewing beneath the surface. It i! s a force that dates back to the very dawn of timeâ€"an ancient terror that hunts and kills to survive…

When a plane crashes into the Antarctic ice, exposing an enormous cave system, a rescue and research team is dispatched. Twenty-four hours later, all contact is lost.

Captain Alex Hunter and his highly trained commandos, along with a team of scientists, are fast tracked to the hot zone to find out what went wrong. Meanwhile, the alluring petrobiologist Aimee Weir is sent to follow up on the detection of a vast underground reservoir. If the unidentified substance proves to be oil, every country in the world will want to know about itâ€"even wage war over it. Or worse.

Once suspended into the caves, Alex, Aimee, and the others can’t locate a single survivorâ€"or even a trace of their remains. Nor is there a energy source, only specters of the dead haunting the tunnels. But soon they will discover that something very much aliv! e is brewing beneath the surface. It is a force that dates bac! k to the very dawn of timeâ€"an ancient terror that hunts and kills to survive…

Director and co-writer Federico Zampaglione's terrifying film recalls Sam Peckinpah's ferocious "Straw Dogs" and Tobe Hooper's horror classic "The Texas Chainsaw Massacre," yet it feels as immediate as today's headlines. Jake Muxworthy plays a young soldier who embarks on a mountain-biking trip, walks into a cafe and meets the love of his life (Karina Testa). Unfortunately, he also meets a pair of violent hunters who make him their prey after he defends the young woman from their sleazy advances. But what appears at first to be a vicious cat-and-mouse game set in treacherous terrain turns into a full-blown nightmare when these adversaries become the captives of a mountain dweller whose depraved plans for them soon become all too apparent. Both a relentless horror film and a searing account of the brutal after-effects of war, "Shadow" is a scream-inducing descent into an abyss of unspeaka! ble terror.Chainmail, Chain Mail, Chainemaille, Chainemaile or however you feel like spelling it...it's lightweight and it can be worn under other garments. Show the world that you are battle ready!This is a beautiful stretched-canvas print wrapped on 1.5" thick stretcher bars. The print is professionally printed, assembled, and shipped within 2 - 3 business days from our production facility in North Carolina and arrives ready-to-hang on your wall. Fine Art America is home to more than 75,000 artists from all over the world who entrust us to fulfill their print orders online. We offer a 30-day money-back guarantee on every print that we sell and look forward to helping you select your next piece. Keywords: Abstract Canvas Print, Black And White Canvas Print, Water Canvas Print, Shark Canvas Print, Fish Canvas Print

Dear Lemon Lima - Movie Poster - 11 x 17 Inch (28cm x 44cm)

• This poster may have a border as the image contained may not be 11 x 17 inches.
• This poster measures approx. 11 x 17 inches from corner to corner.
• Rolled and shipped in a sturdy tube.
• This poster is from Dear Lemon Lima (2009)

Vanessa gets a dose of reality when Philip, her one true love, ends their relationship, again. The quirky teen enrolls in his school to win him back, but ends up making matters worse. Downgraded to social outcast, Vanessa struggles to reclaim Philip's affection. When Vanessa is declared a captain for the school s survival competition, she assembles a team of like-minded misfits to prove they deserve to compete, and win her love s heart again

Features include:

•MPAA Rating: PG-13
•Format: DVD
•Runtime: 87 minutes
MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including po! sters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Hot Tub Time Machine (Unrated) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Get ready to kick some serious past with the wildly inappropriate UNRATED version of Hot Tub Time Machine. The outrageous laughs bubble up when four friends share a crazy night of drinking in a ski resort hot tub, only to wake up with serious hangovers in 1986 â€" back when girls wore leg warmers, guys watched “Red Dawn” and Michael Jackson was black! Now, nice-guy Adam (John Cusack), party animal Lou (Rob Corddry), married man Nick (Craig Robinson) and mega-nerd Jacob (Clark Duke) must relive a wild night of sex, drugs and rock-n-roll and try to change their future â€" forever!Hot Tub Time Machine hits the bull's-eye: it's a rude, crude comedy with enough smarts and emotional sweetness to make it completely entertaining. Seeking to bring some youthful optim! ism back to their failed, miserable lives, three middle-aged guys--Adam (John Cusack), Nick (Craig Robinson), and Lou (Rob Corddry)--go to a mountain resort where they spent some of their wildest days (reluctantly dragging along Adam's nephew, Jacob, played by newcomer Clark Duke). A drunken accident in the titular hot tub sends them swirling back to 1986, where each of them decides to risk changing the future (and possibly erasing Jacob from existence) by doing things just a little differently. A plot summary doesn't capture the movie's rambunctious, daffy spirit as much as… well, the ridiculous title: this is a movie called Hot Tub Time Machine! Any expectation you may have will be met and surpassed. John Cusack delivers another underplayed yet marvelously funny performance, his best since High Fidelity; Clark Duke, from the TV show Greek, proves a promising young comic talent. But the movie really belongs to Robinson and Corddry, who've been float! ing around the edges of tons of comedies--some have been good,! some ha ve been bad, but they've both been consistently funny even in crappy movies. Hot Tub Time Machine gives them center stage and lets them reveal the comic chaos they can deliver. It helps, but is not necessary, to have lived through the '80s to find Hot Tub Time Machine exquisitely silly. --Bret Fetzer

Fool's Gold (Widescreen Edition)

• Condition: New
• Format: DVD
• Widescreen; Color; NTSC

Matthew McConaughey is Tripp, a 35 year-old who still lives with his parents. And who can blame him? It's free, he's got a great room, and mom (Kathy Bates) does the laundry. Desperate to get him out of the house, his parents hire a gorgeous woman, Paula (Sarah Jessica Parker), to give him a little.push. They just didn't expect Tripp would push back! Zooey Deschanel, Terry Bradshaw and Alias' Bradley Cooper co-star in this romantic battle of wills that proves there's no place like home.The plot of Failure to Launch is utterly implausible, yet the movie is thoroughly fun. Tripp (laid-back Matthew McConaughey, Sahara, Dazed and Confused) is a 35-year-old man who still lives with his parents (Kathy Bates, Misery, and ex-quarterback Terry Bradshaw)--and they aren't happy about it. Eager to get him out of the nest, th! ey hire Paula (Sex and the City's Sarah Jessica Parker), a professional motivator who feigns relationships with boy-men so that their improved self-esteem will lead them to leave the nest. But Tripp's not the usual insecure shut-in Paula's used to, and as sparks fly, Paula finds herself losing her professional distance. This sort of set-up drove classic screwball comedies of the 1930s and 40s; once you embrace the absurdity, the movie zips along with a surprising balance of humor and bittersweet shadings. Failure to Launch gets a huge boost from the supporting performance of Zooey Deschanel (Elf) as Paula's housemate Kit--part sourpuss, part tomboy, and entirely sexy and winning. McConaughey and Parker have enjoyable chemistry and carry the movie well, but Deschanel is an oddball romantic-heroine-in-waiting. Also featuring Bradley Cooper (Alias) and Justin Bartha (National Treasure). --Bret FetzerMatthew McConaughey is Tripp, a 35 y! ear-old who still lives with his parents. And who can blame hi! m? It's free, he's got a great room, and mom (Kathy Bates) does the laundry. Desperate to get him out of the house, his parents hire a gorgeous woman, Paula (Sarah Jessica Parker), to give him a little.push. They just didn't expect Tripp would push back! Zooey Deschanel, Terry Bradshaw and Alias' Bradley Cooper co-star in this romantic battle of wills that proves there's no place like home.The plot of Failure to Launch is utterly implausible, yet the movie is thoroughly fun. Tripp (laid-back Matthew McConaughey, Sahara, Dazed and Confused) is a 35-year-old man who still lives with his parents (Kathy Bates, Misery, and ex-quarterback Terry Bradshaw)--and they aren't happy about it. Eager to get him out of the nest, they hire Paula (Sex and the City's Sarah Jessica Parker), a professional motivator who feigns relationships with boy-men so that their improved self-esteem will lead them to leave the nest. But Tripp's not the usual insecure shut-in Paula's used to, a! nd as sparks fly, Paula finds herself losing her professional distance. This sort of set-up drove classic screwball comedies of the 1930s and 40s; once you embrace the absurdity, the movie zips along with a surprising balance of humor and bittersweet shadings. Failure to Launch gets a huge boost from the supporting performance of Zooey Deschanel (Elf) as Paula's housemate Kit--part sourpuss, part tomboy, and entirely sexy and winning. McConaughey and Parker have enjoyable chemistry and carry the movie well, but Deschanel is an oddball romantic-heroine-in-waiting. Also featuring Bradley Cooper (Alias) and Justin Bartha (National Treasure). --Bret FetzerNo Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 24-APR-2007
Media Type: Blu-RayThe plot of Failure to Launch is utterly implausible, yet the movie is thoroughly fun. Tripp (laid-back Matthew McConaughey, Sahara,! Dazed and Confused) is a 35-year-old man who still lives ! with his parents (Kathy Bates, Misery, and ex-quarterback Terry Bradshaw)--and they aren't happy about it. Eager to get him out of the nest, they hire Paula (Sex and the City's Sarah Jessica Parker), a professional motivator who feigns relationships with boy-men so that their improved self-esteem will lead them to leave the nest. But Tripp's not the usual insecure shut-in Paula's used to, and as sparks fly, Paula finds herself losing her professional distance. This sort of set-up drove classic screwball comedies of the 1930s and 40s; once you embrace the absurdity, the movie zips along with a surprising balance of humor and bittersweet shadings. Failure to Launch gets a huge boost from the supporting performance of Zooey Deschanel (Elf) as Paula's housemate Kit--part sourpuss, part tomboy, and entirely sexy and winning. McConaughey and Parker have enjoyable chemistry and carry the movie well, but Deschanel is an oddball romantic-heroine-in-waiting. Also featurin! g Bradley Cooper (Alias) and Justin Bartha (National Treasure). --Bret FetzerParamount Failure to Launch - HD-DVD
Matthew McConaughey is Tripp, a 35-year-old who still lives with his parents. And who can blame him? It's free, he's gota great room, and mom (Kathy Bates) does the laundry. Desperate to get him out of the house, his parents hire a gorgeous woman, Paula (Sarah Jessica Parker), to give him a little...push. They just didn't expect Tripp would push back! Zooey Deschanel, Justin Bartha, Terry Bradshaw and Alias' BradleyCooper co-star in this romantic battle of wills that proves there's no place like home.The plot of Failure to Launch is utterly implausible, yet the movie is thoroughly fun. Tripp (laid-back Matthew McConaughey, Sahara, Dazed and Confused) is a 35-year-old man who still lives with his parents (Kathy Bates, Misery, and ex-quarterback Terry Bradshaw)--and they aren't happy about it. Eager to get him out of the nest,! they hire Paula (Sex and the City's Sarah Jessica Park! er), a p rofessional motivator who feigns relationships with boy-men so that their improved self-esteem will lead them to leave the nest. But Tripp's not the usual insecure shut-in Paula's used to, and as sparks fly, Paula finds herself losing her professional distance. This sort of set-up drove classic screwball comedies of the 1930s and 40s; once you embrace the absurdity, the movie zips along with a surprising balance of humor and bittersweet shadings. Failure to Launch gets a huge boost from the supporting performance of Zooey Deschanel (Elf) as Paula's housemate Kit--part sourpuss, part tomboy, and entirely sexy and winning. McConaughey and Parker have enjoyable chemistry and carry the movie well, but Deschanel is an oddball romantic-heroine-in-waiting. Also featuring Bradley Cooper (Alias) and Justin Bartha (National Treasure). --Bret FetzerThe plot of Failure to Launch is utterly implausible, yet the movie is thoroughly fun. Tripp (lai! d-back Matthew McConaughey, Sahara, Dazed and Confused) is a 35-year-old man who still lives with his parents (Kathy Bates, Misery, and ex-quarterback Terry Bradshaw)--and they aren't happy about it. Eager to get him out of the nest, they hire Paula (Sex and the City's Sarah Jessica Parker), a professional motivator who feigns relationships with boy-men so that their improved self-esteem will lead them to leave the nest. But Tripp's not the usual insecure shut-in Paula's used to, and as sparks fly, Paula finds herself losing her professional distance. This sort of set-up drove classic screwball comedies of the 1930s and 40s; once you embrace the absurdity, the movie zips along with a surprising balance of humor and bittersweet shadings. Failure to Launch gets a huge boost from the supporting performance of Zooey Deschanel (Elf) as Paula's housemate Kit--part sourpuss, part tomboy, and entirely sexy and winning. McConaughey and Parker have enjoyab! le chemistry and carry the movie well, but Deschanel is an odd! ball rom antic-heroine-in-waiting. Also featuring Bradley Cooper (Alias) and Justin Bartha (National Treasure). --Bret FetzerFailure to Launch
Matthew McConaughey is Tripp, a 35 year-old who still lives with his parents. And who can blame him? It’s free, he’s got a great room, and mom (Kathy Bates) does the laundry. Desperate to get him out of the house, his parents hire a gorgeous woman, Paula (Sarah Jessica Parker), to give him a little…push. They just didn’t expect Tripp would push back! Zooey Deschanel, Terry Bradshaw and Alias’ Bradley Cooper co-star in this romantic battle of wills that proves there’s no place like home.

How to Lose a Guy in 10 Days
Andie needs to prove she can dump a guy in 10 days. Ben needs to prove he can win a girl in 10 days. Now, the clock is ticking - and the year's most wildly entertaining comedy smash is off and running in this irresistible tale of sex, lies and outrageous romantic fireworks! !

Sahara Master explorer Dirk Pitt (Matthew McConaughey) takes on the adventure of his life when he embarks on a treasure hunt through some of the most dangerous regions of North Africa. Searching for whal locals call "The Ship of Death", a long lost Civil War battleship filled with coins, Pitt and his wisecracking sidekick (Steve Zahn) use their wits and clever heroics to help Doctor Eva Rojas (Penelope Cruz) who believes the ship may be linked to mysterious deaths in the very same area.Failure to Launch
The plot of Failure to Launch is utterly implausible, yet the movie is thoroughly fun. Tripp (laid-back Matthew McConaughey, Sahara, Dazed and Confused) is a 35-year-old man who still lives with his parents (Kathy Bates, Misery, and ex-quarterback Terry Bradshaw)--and they aren't happy about it. Eager to get him out of the nest, they hire Paula (Sex and the City's Sarah Jessica Parker), a professional motivator who feigns rel! ationships with boy-men so that their improved self-esteem wil! l lead t hem to leave the nest. But Tripp's not the usual insecure shut-in Paula's used to, and as sparks fly, Paula finds herself losing her professional distance. This sort of set-up drove classic screwball comedies of the 1930s and 40s; once you embrace the absurdity, the movie zips along with a surprising balance of humor and bittersweet shadings. Failure to Launch gets a huge boost from the supporting performance of Zooey Deschanel (Elf) as Paula's housemate Kit--part sourpuss, part tomboy, and entirely sexy and winning. McConaughey and Parker have enjoyable chemistry and carry the movie well, but Deschanel is an oddball romantic-heroine-in-waiting. Also featuring Bradley Cooper (Alias) and Justin Bartha (National Treasure). --Bret Fetzer

How to Lose a Guy in 10 Days
Kate Hudson twinkles as the heroine of How to Lose a Guy in 10 Days, a magazine writer assigned to date a guy, make all the mistakes girls make that drive guys awa! y (being clingy, talking in baby-talk, etc.), and record the process like a sociological experiment. However, the guy she picks--rangy Matthew McConaughey--is an advertising executive who's just bet that he can make a woman fall in love with him in ten days; if he succeeds, he'll win a huge account that will make his career. The set-up is completely absurd, but the collision of their efforts to woo and repel creates some pretty funny scenes. McConaughey's easy charm and Hudson's lightweight impishness play well together and the plot, though strictly Hollywood formula, chugs along efficiently. At moments Hudson seems to channel her mother, Goldie Hawn, to slightly unnerving effect. --Bret Fetzer

Sahara
It took more than 25 years for another Clive Cussler novel to come to the screen after the financial and critical disaster of Raise the Titanic. Based on Cussler's oddly landlocked adventure, Sahara finds the author's hero, Dirk Pitt (Matthe! w McConaughey)--a sort of all-American, high seas variation of! James B ond--in Africa looking for a Confederate ironclad ship that impossibly might have ended up there. Soon he and his faithful sidekick Al Giordino (Steve Zahn) are lost in another adventure, discovering a deadly contaminate being tracked by a beautiful doctor (Penelope Cruz). The results are checkered: there's no one outstanding sequence, but the action is enjoyably varied, while the thrills are mild yet not bombastic or gratuitous. The cast are all adept in their roles, yet the only one who sparkles is the scene-stealing Zahn, cast against type; McConaughey, who also produced, knows he might be starting a franchise character and plays it safe. He's never as dangerous as Cussler's hero is on the page (except in his introduction), and in fact, the whole movie plays towards comedy, infused by a soundtrack of 70s FM radio monsters. Cussler fanatics may not like this lighter fare, especially with the archeological portion (a Cussler strong point) not fully embraced, but with a very! , very likable cast and colorful settings, Sahara is a kindler, gentler action film that has all the elements in place for a better, more memorable franchise if anyone cares to attempt it. --Doug ThomasMatthew McConaughey and Kate Hudson go for the gold (and the diamonds, emeralds and rubies) as a just-divorced couple who bicker and banter their way through an adventure- and laugh-packed undersea treasure hunt. McConaughey is Finn, in love with his ex (Hudson) and in deep with gangster Bigg Bunny. After eight years of searching, Finn gets a clue to the whereabouts of the Queen’s Dowry, a fabulous fortune that mysteriously disappeared in the Caribbean in 1715. Now all he has to do is get the gold, get the girl and get going before Bigg Bunny gets him. Directed by Andy Tennant (Hitch), Fool’s Gold glitters with danger, action, romance, comedy, great one-liners â€" and a great time to be had by all!The "gold" of the title refers to an elusive pirate's booty, ! but it just as easily could mean the sun-washed glistening sho! res of F lorida, or the sumptuously tanned bodies of its appealing stars, Kate Hudson and Matthew McConaughey. The whole film is awash in golden highlights, and the scenery and cinematography make the experience akin to taking a tropical holiday. Hudson and McConaughey reprise the chemistry they first exhibited in How to Lose a Guy in 10 Days, sparking and tangling and kvetching, while all the while the audience knows, of course, they adore each other and are perfect for each other. McConaughey is a dreamer, on the trail of a sunken pirate's treasure, and Hudson his now-ex-wife, a historian who prefers life to be a little more sedate. McConaughey, as Finn, delivers impassioned speeches to Hudson, as Tess, saying, "You want history? It's in the ocean, lady!" Before you can say Romancing the Stone, Tess and Finn are grudgingly reunited in search of the booty. If the plot doesn't contain many surprises, the froth of the stars' chemistry is amiable and makes for a perfect d! ate movie. Scuba divers may find McConaughey's antics below the surface to be wildly unbelievable and usually fatal, but in the end viewers will root for him to surface, and recapture the heart of his lady love. --A.T. Hurley

Femme Fatale

• Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge.Running Time: 115 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 085392446124 UPC: 085392446124 Manufac

Britney Spears announces her seventh studio album is titled Femme Fatale. The iconic global superstar’s title Femme Fatale is a tribute to bold, empowered, confident, elusive, fun, flirty women and men. It’s not a conceptual album, Spears is letting the music speak for itself. She’s worked hard on it for two years and she considers it to be her “best album to date,” true to where she is now personally and professionally. Femme Fatale (Jive Records) is executive produced by Max Martin and Dr. Luke. Few artists ha! ve earned the distinction of having five No.1 debut albums, and 24 Top 40 hits. She most recently set a new one-day precedent for single sales with her current No. 1 hit song, “Hold It Against Me.”. Jonas Åkerlaund shot the video for the song. Spears is peerless among her contemporaries. Throughout the years, Britney has consistently released hit after hit for over a decade, selling close to 70 million albums cumulatively worldwide. During her 12-year career, Britney has had five albums debut in the No. 1 position on Billboard 's Top 200 Albums chart and she's had 24 Top 40 hits on Billboard’s Mainstream Top 40 chart. Globally, Britney Spears is one of the top-selling artists of the past decade, dominating charts with her albums, selling an astonishing 67 million albums worldwide. Her previous albums include: …Baby One More Time (1999); Oops!... I Did It Again (2000); Britney (2001); In The Zone (2003); Blackout (2007); Circus (2008); and The Singles! Collection (2009). Studio: Sony Music Release Date: 11/2! 2/2011Br itney Spears announces her seventh studio album is titled Femme Fatale. The iconic global superstar’s title Femme Fatale is a tribute to bold, empowered, confident, elusive, fun, flirty women and men. It’s not a conceptual album, Spears is letting the music speak for itself. She’s worked hard on it for two years and she considers it to be her “best album to date,” true to where she is now personally and professionally. Femme Fatale (Jive Records) is executive produced by Max Martin and Dr. Luke. Few artists have earned the distinction of having five No.1 debut albums, and 24 Top 40 hits. She most recently set a new one-day precedent for single sales with her current No. 1 hit song, “Hold It Against Me.”. Jonas Åkerlaund shot the video for the song. Spears is peerless among her contemporaries. Throughout the years, Britney has consistently released hit after hit for over a decade, selling close to 70 million albums cumulatively worldwide. During ! her 12-year career, Britney has had five albums debut in the No. 1 position on Billboard 's Top 200 Albums chart and she's had 24 Top 40 hits on Billboard’s Mainstream Top 40 chart. Globally, Britney Spears is one of the top-selling artists of the past decade, dominating charts with her albums, selling an astonishing 67 million albums worldwide. Her previous albums include: …Baby One More Time (1999); Oops!... I Did It Again (2000); Britney (2001); In The Zone (2003); Blackout (2007); Circus (2008); and The Singles Collection (2009). Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge. The sheer pleasure of watching movies is celebrated in Brian De Palma's dazzling Femme Fatale. Working from his own intricate screenplay, De Palma indulges all of his trademark ! obsessions, upping the ante on Hitchcock (again) with a Ver! tigo -like plot that begins with an audacious heist at the Cannes film festival (another sexy, violent tour de force for De Palma). From there, the stunning thief Laure (Rebecca Romijn-Stamos) assumes a new identity, marries a U.S. senator (Peter Coyote), and returns to Paris where a tenacious paparazzo (Antonio Banderas) becomes a patsy in her multilayered scheme. De Palma's weaving a web of nonsense, but his plotting is so exuberantly absurd--and his frame so full of visual clues and relevant detail--that Femme Fatale becomes a joyous thrill ride at first encounter, and a crazily logical (and grandly rewarding) movie on subsequent viewings. In her best role to date, Romijn-Stamos is everything you'd want a femme fatale to be, in a thriller that constantly challenges you to question what you're seeing. --Jeff Shannon