Cabin Fever

• ISBN13: 9781419955044
• Condition: Used - Very Good
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Greg Heffley is in big trouble. School property has been damaged, and Greg is the prime suspect. But the crazy thing is, he’s innocent. Or at least sort of.

The authorities are closing in, but when a surprise blizzard hits, the Heffley family is trapped indoors. Greg knows that when the snow melts he’s going to have to face the music, but could any punishment be worse than being stuck inside with your family for the holidays?

Amazon Exclusive: A Q&A with Jeff Kinney

Question: Given all the jobs that you have--game designer, fatherhood, Diary of a Wimpy Kid movie work, etc.,--do you have a certain time that you set aside to write?

Kinney: I still treat writing like a hobby, working mostly at night and sometimes on weekends. But when a deadline looms my hobby time gets extended into the wee hours of the night. It's not uncommon for me to work until 4:00 a.m., and I'm usually back at work by 9:00 a.m.

Q: Did you get to choose which character you would play in the Wimpy Kid films (Mr. Hills)? What do you enjoy most about working on the movies?

Kinney: I never any real desire to appear in the Wimpy Kid films, but one day my wife encouraged me to be an extra in one of the crowd scenes. So I walked onto the set, ready to ask the assistant director to put me somewhere in the back. It happened that right at that moment the director was look! ing for someone to play the role of Mr. Hills, Holly Hills's f! ather. W hat I didn't realize was that I'd be front and center in the church scene, and in the new movie, I'm even more prominent. I'm incredibly self-conscious so appearing on-camera was a real stretch for me.

Q: In 2009 Time magazine named you as one of the 100 Most Influential People in the World--what’s the first thing you did after you found out?

Kinney: I thought it was a practical joke, so I tried to track down the source of the joke. I eventually reached a voicemail of a reporter who said they worked for Time, and at that point I thought it was just a well-planned practical joke. It took me a while to realize it was for real. It was a big honor, but I don't take it very seriously. I'm the fourth most influential person in my own house.

Q: Would you ever consider making Wimpy Kid into a newspaper comic strip or creating another one? Do you have any favorite comic strips that you currently read?

! Kinney: I've considered it. I set out to become a newspaper cartoonist but failed to break in. But I like the freedom books give me, so it would be tough to cram my ideas into three or four panels.

Q: What is (or could be) you motto in life?

Kinney: I was inspired to write by a Benjamin Franklin quote: "Well done is better than well said." But I always encourage kids to "create something great," because the tools to create something original and find an audience are available to them like never before.

Q: What was your favorite year in school, and why?

Kinney: Fifth grade was my favorite year. I had a great teacher, Mrs. Norton, who encouraged me to be funny and challenged me to be a better artist and joke-teller than I was. I liked it that she didn't coddle me.

Q: Kids now ask for a book that is “like Diary of a Wimpy Kid,” and with this series you’ve created a whole! new subset of books for young readers--how does it feel to be! the per son behind such massive book enjoyment, reaching reluctant readers, and spawning any number of titles that aspire to be “the next Wimpy Kid?”

Kinney: I'm happy that kids are reading. I think graphical books reach kids who might otherwise see books as work. Books should be fun!

A modern Walden--if Thoreau had had three kids and a minivan--Cabin Fever is a serious yet irreverent take on living in a cabin in the woods while also living within our high-tech, materialist culture.
 
Try to imagine Thoreau married, with a job, three kids, and a minivan. This is the serious yet irreverent sensibility that suffuses Cabin Fever, as the author seeks to apply the hermit-philosopher’s insights to a busy modern life.
 
Tom Montgomery Fate lives in a Chicago suburb, where he is a husband, father, professor, and active member of his community. He also lives in a cabin built with the help of friends in the Michigan w! oods, where he walks by the river, chops wood, and reads Thoreau by candle light.
 
While he divides his time between suburbia and the cabin, Fate’s point is not to draw a line between the two but to ask what each has to say about the other. How do we balance nature (picking blackberries) with technology (tapping BlackBerrys)? What is revealed about human boundaries when a coyote wanders into a Quiznos? Can a cardinal protecting chicks from a hungry cat teach us anything about instincts and parenting? Fate seeks a more attentive, deliberate way of seeing the world and our place in it, not only among the trees and birds but also in the context of our relationships and society.
 
A seasonal nature memoir, Cabin Fever takes readers on a search for the wild both in the woods and within ourselves. Although we are often estranged from nature in our daily lives, Fate shows that we can recover our kinship with the earth and its other inhabitants if we a! re willing to pay attention.
 
In his exploration of! how we are to live “a more deliberate life” amid a high-tech, material world, Fate invites readers into an interrogation of their own lives, and into a new kind of vision: the possibility of enough in a culture of more.A log cabin in the woods is one of America's most cherished icons -- a dream shared around the world. As the stress level of city life rises, more and more of us are imagining our own cottages far away from traffic lights and urban distractions. Cabins in the wilderness have never gone out of style, because the rustic life is a simple, rewarding one rooted in the traditions of the great outdoors.

Featuring rustic interiors as well as North Woods architecture, Cabin Fever visits more than two dozen charming retreats old and new, large and small, in the mountains and along the water, from the wilds of New York out to the wild, wild West. Author Rachel Carley explains where our love for the rustic comes from and shows the amazingly varied guises in which ! it appears today.

After serving as settlers' cabins, log homes enjoyed a phenomenal popularity in the late nineteenth century. Wealthy families such as the Vanderbilts, Guggenheims, and Carnegies summered in areas as remote as they could find, building what were euphemistically called camps. Those less affluent, following the era's prescription for fresh air and simplicity, traveled to even more rustic hotels and vacation cabins to get their share of the refreshing woods. Cabin Fever presents some of the best of these old lodges and private cabins, along with striking new homes that give a contemporary twist to the ideal of the rustic life.

To help fill a cabin, a whole camp, or even an apartment with the latest in rustic style, the book's catalogue shows where to find home furnishings from twig bedsteads to Hudson Bay blankets to Adirondack chairs. Brimming with exceptionally creative ideas for achieving this truly American look, this enchanting guide to liv! ing with the rustic style will cure every variety of cabin fev! er.The c raze for "getting away from it all" in buildings of log, stone, and unpainted lumber has been a part of American life since the 1800s. From the Gilded Age retreats of the Catskills and Adirondacks to the rugged Wild West lodges of Yellowstone and Yosemite, Cabin Fever celebrates the architectural elements that make cabin style unique: gleaming hand-peeled and polished logs, cowhide sofas, and river-rock fireplaces. Some are large, old, and built as public lodgings, like Putnam Camp, the Adirondack summer retreat founded by philosopher William James, which still has the cheerful austerity it had when Freud and Jung mingled there with Harvard academicians. Others, like the grand hunting lodge nestled on the edge of a marsh, are more recent monuments to quirky private visions of the perfect rustic retreat. Rooms in both are accessorized with animal heads, native American blankets and art, snowshoes, antler chandeliers, and willow twig furniture. The book's ! appendix includes catalog sources for everything from small wooden summerhouses to buffalo-plaid blankets, and a list of hotels in the grand old style (like Yosemite's Ahwahnee and the Grand Canyon's El Tovar). Even if you can't have a piece of the wilderness to call your own (and the burl furniture to match), you can still enjoy the rustic yet substantial comforts of Cabin Fever.

 

Love isn’t something she thinks she needs…until it lands right on her doorstep.

 

Genevieve Boden is a witch and doesn’t care who knows. The townspeople’s fear of her keeps away those who have hurt her beforeâ€"like the local men of authority. Besides, a life of exile deep in the woods of West Virginia is due punishment, she figures, for the part she played in her mother’s death. If she’s alone, no one need know that the trauma took away her powers.

 

Then she finds a bloody, fatally wounded man slumpe! d on her porch. In an instant, her healing ability reawakensâ€! "and tha t’s not all. He stirs a hunger beyond her wildest dreams. But a relationship with the new chief of police? Not a chance.

 

Alex Rivera isn’t sure how he survived, but he’s certain his beautiful savior did more than just bandage his wounds. Captivated by this wary angel and stunned by the depth of emotion he feels for her, he vows to discover her secrets. After all, thanks to the raging snowstorm, they have nothing to do but share body heat.

 

Their sizzling attraction goes straight to their hearts. So could a killer’s bullet…once whoever shot Alex finds them.

 

Warning: Contains a convenient snowstorm that throws together two wounded characters who happen to be wildly attracted to each other, a drool-worthy hero, a shotgun-toting heroine, mattress sex, shower sex, couch sex, armchair sex, some light bondage, and a really good cup of hot cocoa.

 

 

Nikki and Ch! ase are about to make the most of a their bad situation.

When her roommate, needing a romantic weekend with her boyfriend, bribes her out of the house with use of an isolated cabin, Nikki reluctantly agrees. She didn’t realize the cabin came fully equipped with an uptight, yet incredibly sexy, man.

Chase is looking forward to a quiet weekend alone at his cabin. When he tackles someone who he believes to be an intruder, he’s surprised to find the unusual and sensual woman was given a key to his place.

Stuck together during a snowstorm, the heat from the fire isn’t the only thing heating up the cabin.Nikki and Chase are about to make the most of a their bad situation.

When her roommate, needing a romantic weekend with her boyfriend, bribes her out of the house with use of an isolated cabin, Nikki reluctantly agrees. She didn’t realize the cabin came fully equipped with an uptight, yet incredibly sexy, man.

Chase is lookin! g forward to a quiet weekend alone at his cabin. When he tackl! es someo ne who he believes to be an intruder, he’s surprised to find the unusual and sensual woman was given a key to his place.

Stuck together during a snowstorm, the heat from the fire isn’t the only thing heating up the cabin.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.Horace is a loner, a mountain man with a claim to a tiny stream of gold and a lonely ! cabin in the woods. When he finds young Walker wandering lost in his mountains just before the snow flies, he decides he's found exactly the kind of companionship he craves. Walker is young, naive, and totally unprepared for the kinds of amusements Horace has in store for him. Good thing he's willing to try new things, because Horace has a stern hand and a fine sense of adventure, showing Walker things he'd never dreamed of. But what will come when the spring thaw melts all that snow?Horace is a loner, a mountain man with a claim to a tiny stream of gold and a lonely cabin in the woods. When he finds young Walker wandering lost in his mountains just before the snow flies, he decides he's found exactly the kind of companionship he craves. Walker is young, naive, and totally unprepared for the kinds of amusements Horace has in store for him. Good thing he's willing to try new things, because Horace has a stern hand and a fine sense of adventure, showing Walker things he'd nev! er dreamed of. But what will come when the spring thaw melts a! ll that snow?Cabin Fever by Diana Hunter As soon as her date took the turn up the mountain, Isabel knew she was in trouble. Did all men take one look at her well-endowed breasts and think sex? The last thing she was about to do was make out in a tiny car on some godforsaken mountain with a date she never wanted to see again. Daniel Fox wanted to forget a case gone bad and a relationship gone sour. When a client he had defended killed his wife, Daniel takes a leave of absence and, alone, heads for a mountain retreat to deal with the guilt. The last thing he wants is company. A winter storm forces Isabel and Daniel together and they must share a tiny cabin with one bed. In that bed they discover a dark passion that rules them both. Neither of them gets what they had planned...but both get something better.

Battle: Los Angeles [Blu-ray + DVD Combo Pack] (Exclusive Steelbook Packaging) - Arron Eckhart (Blu-ray - 2011)

• 1080p Hi-Def Blu-ray Transfer
• Featurettes, Trailers and more bonus features!
• EXCLUSIVE: Steelbook Packaging!

Witness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book learning who you ju! st know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out ham-fisted dialogue l! ike he really, really means it, while the rest of the cast is ! suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book! learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out h! am-fisted dialogue like he really, really means it, while the ! rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film. Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie offi! cer with a lot of book learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive! job of spitting out ham-fisted dialogue like he really, reall! y means it, while the rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerStudio: Asylum Home Entertainment Release Date: 03/22/2011 Run time: 90 minutes Rating: NrMarine staff sergeant (aaron Eckhart, "The Dark Knight") and his platoon take on an enemy unlike any they've ever encountered when hostile alien invaders attack the planet in this epic science fiction action hit!

He's Just Not That Into You

• Remember that really cute guy who said he'd call.and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for love and finds laughs in this savvy, sexy, right-now romcom. Based on the runaway (like some guys you know) bestseller by

Remember that really cute guy who said he'd call....and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for love and finds laughs in this savvy, sexy, right-now romcom. Based on the runaway (like some guys you know) bestseller by Sex and the City series writers Greg Behrendt and Liz Tuccillo, He's Just Not That Into You sparkles w! ith zingy aha moments any survivor of the dating wars will recognize. See it with someone you'd like to love.Based on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co-star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingl! y settled co-workers, Beth (Jennifer Aniston) and Janine (Jenn! ifer Con nelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy

2-Year SquareTrade Warranty plus Accident Protection for Kindle Fire, US customers only

• Accidental damage coverage starts on day 1 and lasts for 2 years from your Kindle purchase date (for pre-orders, accidental damage coverage starts after your device ships)
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• Make up to 3 claims during the term of your warranty
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McFarlane Toys Beowulf Action Figure Grendel's Mother

• GRENDEL'S MOTHER BEOWULF
• Measures 7 inches at top of head; articulated at neck, shoulders (ball and hinge joints), elbows, wrists and waist. Stands on 4-inch wide by 3½-inch deep base.
• Originally released in 2007 - Retired / Out of Production
• From McFarlane Toys
• Ages 14+

BEOWULF & GRENDEL - DVD MovieThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between! good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers’ attention even when the unnecessarily complex plot does not. --Paul GaitaJohn Grigsby reveals that the English had a mythology and a vibrant pagan religion as rich and complex as that of the early Ce! lts, of which only a few precious fragments remain. One such f! ragment is a Dark Age poem that tells of the deeds of a monster-slaying hero Beowulf, who frees the feasting hall of a Danish king from the twelve-year tyranny of a creature named Grendel. Grigsby's conclusions will revolutionize the way we think about the ancestors of the English. He explains how they came to England from Denmark and Northern Germany and how human sacrifice was central to their religion. He shows how the memory of the forceful suppression of this sacrificial cult in the 5th century AD lies behind the seemingly fantastic deeds of Beowulf. His discovery will restore the poem to its rightful place as a national epic.Introduction gives a short history of the Old English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

Introduction gives a short history of the Old English language.

The classic tale of courage a! nd honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

Based on the legendary 8th century epic poem, Beowulf follows the triumphs and trials of the legendary Norse warrior as he battles mythical beasts, including the monstrous Grendel. GRENDEL'S MOTHER BEOWULF - Measures 7 inches at top of head; articulated at neck, shoulders (ball and hinge joints), elbows, wrists and waist. Stands on 4-inch wide by 3½-inch deep base.

Chocolate

• Prachya Pinkaew, director of Ong Bak: The Thai Warrior, returns with Chocolate, an explosive new martial arts masterpiece starring his new prot g , Jija Yanin Vismistananda, who spent five years training for the role. Jija plays Zen, a young autistic girl who grows up next to a Muay Thai boxing studio and is raised on a steady diet of chocolate and marathon viewings of Tony Jaa and Bruce Lee films

Studio: Urban Vision Release Date: 11/28/2006AZUMI 2 - DVD MovieAzumi 2003 Directed by Ryuhei Kitamura of Versus. Azumi is an action packed movie based on a highly popular manga serial by Yu Koyama. Like his stylish and gory previous film it wastes no time in getting down to business. The movies gets rolling as soon as the band of ten Samurai in training including Azumi (Aya Ueto) the only swordswoman among them is subjected to its final test. Once again Kitamura demonstrates his awesome skills i! nto camera movements and fights choreography. The unlimited supply of stylistic action scenses and wild visual effects are enhanced by his leaping and pouncing camer. wirework and CGI special effects. At one time the kick ass heroine (in a cool skin tight period clothing takes on as many as 200 enemies.Azumi 2003 Directed by Ryuhei Kitamura of Versus. Azumi is an action packed movie based on a highly popular manga serial by Yu Koyama. Like his stylish and gory previous film it wastes no time in getting down to business. The movies gets rolling as soon as the band of ten Samurai in training including Azumi (Aya Ueto) the only swordswoman among them is subjected to its final test. Once again Kitamura demonstrates his awesome skills into camera movements and fights choreography. The unlimited supply of stylistic action scenses and wild visual effects are enhanced by his leaping and pouncing camer. wirework and CGI special effects. At one time the kick ass heroine (in a ! cool skin tight period clothing takes on as many as 200 enemie! s.

T aking place shortly after the end of the first film, Azumi 2 features the same actress, Aya Ueto, in the title role, this time going up against a corrupt government official (Mikijiro Hira) and his team of trained ninja assassins.A young girl learns to fight from watching TV and the fighters from the boxing school next door. When she finds a list of debtors in her ailing mother s diary, she sets upon a violent quest to collect payment for medical expenses. Her quest is a dangerous one that ultimately leads her to her father, a gang member of the Yakuza.