The Hills Have Eyes II Poster Movie 11x17 Daniella Alonso Michael McMillian Jessica Stroup

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Hills Have Eyes II 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Deep within the remote hills of the New Mexico desert, a group of townspeople thought wiped out by the United States government when it began above-ground atomic testing has returned to the now-irradiated land they still claim as their home. Within the eye of this nuclear storm good people will go bad, battle lines will be drawn, and a new family of mutated monstrosities must protect their own at all costs in a mind-boggling orgy of blood and vengeance.

The Hills Have Eyes: The Beginning tells for the first time the epic origin stor! y behind Wes Craven's classic tale of mutant carnage, leading into and bridging the gap between the 2006 remake of The Hills Have Eyes and its sequel, The Hills Have Eyes 2. Written by acclaimed storytellers Jimmy Palmiotti (Painkiller Jane) and Justin Gray (Countdown) with shocking art by John Higgins (Judge Dredd, War Stories), this is mutant mayhem as you've never seen it before.

Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.Boasting an upgrade in production values, The Hills Have Eyes should please new-generation horror fans without offending devotees of Wes Craven's original version from 1977. Th! ere's still something to be said for the gritty shock value of! Craven' s low-budget original, made at a time when horror had been relegated to the pop-cultural ghetto, mostly below the radar of major Hollywood studios. With the box-office resurgence of horror in the new millennium--and the genre's lucrative popularity among the all-important teen demographic--it's only fitting that French director Alexandre Aja should follow up his international hit High Tension with a similarly brutal American debut to boost his Hollywood street-cred. Working with cowriter Gregory Levasseur, Aja remains surprisingly faithful to Craven's original, beginning with a bickering family that crashes their truck and trailer in the remote desert of New Mexico (actually filmed in Morocco), where they are subsequently terrorized, brutalized, and murdered by a freakish family of psychopaths, mutated by the lingering radiation from 331 nuclear bomb tests that were carried out during the 1950s and '60s. After several killings are carried out in memorably grisly fashi! on, it's left to the survivors to outsmart their disfigured tormentors, who are blessed with horrendous make-up (especially Robert Joy as freak leader "Lizard") but never quite as unsettling as the original film's horror icon, Michael Berryman. In Aja's hands, this newfangled Hills is all about savagery and de-evolution, reducing its characters to a state of pure, retaliatory terror. It's hardly satisfying in terms of storytelling (since there's hardly any story to tell), but as an exercise in sheer malevolence, it's undeniably effective.--Jeff ShannonThe Hills Have Eyes II reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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The Bad Beginning (A Series of Unfortunate Events #1)

• ISBN13: 9780064407663
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In an isolation experiment, Martin Lake had been below-ground for fourteen months and two weeks. He came up on May 30, Wednesday, 11:35 AM. He discovered that civilization had folded its arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into ! this that Martin Lake awakens and has to find his way.

103,000 words

WHAT OTHERS HAVE SAID--

Orson Scott Card, Hugo and Nebula winner: "[Wayne Wightman is] ...one of the names I['ve] learned to look for.... He...is a romantic whose stories confess his belief that individuals can be larger than life, that their decisions can change the world around them."

John Brunner, the legend himself: "Wayne Wightman is agreeable company, both in person and via the printed page. As to the former, I'm afraid you will have to wait the chance to make his acquaintance.... As to the latter, however, now's your chance."

Richard Paul Russo, Philip K. Dick Award winner: "One of Wightman's great strengths is his willingness to go to the edge. He pulls no punches, whether the story is serious or violent or manic. You can count on him to take you places other writers shy away from."In an isolation experiment, Martin ! Lake had been below-ground for fourteen months and two weeks. ! He came up on May 30, Wednesday, 11:35 AM. He discovered that civilization had folded its arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into this that Martin Lake awakens and has to find his way.

103,000 words

WHAT OTHERS HAVE SAID--

Orson Scott Card, Hugo and Nebula winner: "[Wayne Wightman is] ...one of the names I['ve] learned to look for.... He...is a romantic whose stories confess his belief that individuals can be larger than life, that their decisions can change the world around them."
!
John Brunner, the legend himself: "Wayne Wightman is agreeable company, both in person and via the printed page. As to the former, I'm afraid you will have to wait the chance to make his acquaintance.... As to the latter, however, now's your chance."

Richard Paul Russo, Philip K. Dick Award winner: "One of Wightman's great strengths is his willingness to go to the edge. He pulls no punches, whether the story is serious or violent or manic. You can count on him to take you places other writers shy away from."This book is about how men can find, meet and evaluate women based on my personal research using my new and unique "WALK READ" system, my pre-marriage test and my list of when to call it "quits", to have a great relationship and a great sex life. Women should read this book to find out what to flaunt and when to use it.This book is about how men can find, meet and evaluate women based on my personal research using my new and unique "WALK READ" sy! stem, my pre-marriage test and my list of when to call it "qui! ts", to have a great relationship and a great sex life. Women should read this book to find out what to flaunt and when to use it.

Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.

In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odour.

In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Never before has a tale of three likeable and unfortunate children been quite so enchanting, or quite so uproariously unhappy.

Ages 10+

Make no mistake. The Bad Beginning begins badly for the three Baudelaire children, and then get! s worse. Their misfortunes begin one gray day on Briny Beach when Mr. Poe tells them that their parents perished in a fire that destroyed their whole house. "It is useless for me to describe to you how terrible Violet, Klaus, and even Sunny felt in the time that followed," laments the personable (occasionally pedantic) narrator, who tells the story as if his readers are gathered around an armchair on pillows. But of course what follows is dreadful. The children thought it was bad when the well-meaning Poes bought them grotesque-colored clothing that itched. But when they are ushered to the dilapidated doorstep of the miserable, thin, unshaven, shiny-eyed, money-grubbing Count Olaf, they know that they--and their family fortune--are in real trouble. Still, they could never have anticipated how much trouble. While it's true that the events that unfold in Lemony Snicket's novels are bleak, and things never turn out as you'd hope, these delightful, funny, linguis! tically playful books are reminiscent of Roald Dahl (remember ! Jame s and the Giant Peach and his horrid spinster aunts), Charles Dickens (the orphaned Pip in Great Expectations without the mysterious benefactor), and Edward Gorey (The Gashlycrumb Tinies). There is no question that young readers will want to read the continuing unlucky adventures of the Baudelaire children in The Reptile Room and The Wide Window. (Ages 9 and older) --Karin Snelson

Multi Voice Changer by Toysmith: Change your voice with 10 different voice modifiers - Kids Toy (Colors May Vary)

• 10 different voice modifiers in one 6.5" voice changer
• Use the side levers to create hundred of combinations
• Features flashing LED lights
• Requires 1-9 Volt battery-INCLUDED
• Fun voice effects

Exciting young stars Freddie Prinze Jr. (DOWN TO YOU, SHE'S ALL THAT) and Claire Forlani (MYSTERY MEN, MEET JOE BLACK) ride a fun rollercoaster to romance in this sexy comedy hit! Shy bookworm Ryan (Prinze) and the outgoing, free-spirited Jennifer (Forlani) couldn't be more different. So when they first meet, they can't stand each other. When they meet again, they loathe each other! But when they finally reconnect in college, all that friction eventually explodes into red-hot romantic fireworks! With hilarious friends Jason Biggs (AMERICAN PIE), Amanda Detmer (FINAL DESTINATION, DROP DEAD GORGEOUS), and Heather Donahue (THE BLAIR WITCH PROJECT) along to pump up the fun, you! 'll laugh along as these irresistible boys and girls sort out all of love's confusing complexities!Behind the generic title of Boys & Girls lies a surprising enjoyable and nuanced romantic comedy. Teen heartthrob Freddie Prinze Jr. plays Ryan, a dorky, emotionally sincere young guy who keeps crossing paths with Jennifer, played by Claire Forlani, an independent and willfully unattached young woman. Their chance meetings coincide with relationship traumas and they start to confide in each other, which leads to a more genuine friendship and, in the midst of their college years, a romance. It's a bit of a stock plot line to have their friendship threatened by sexual attraction, but Boys & Girls has just enough genuine feeling to make it compelling. Meanwhile, Jason Biggs (from American Pie) plays Ryan's roommate, a compulsive liar and would-be scam artist, who carries off some pretty funny scenes. Forlani and Prinze work together quite well. Their perform! ances hearken back to the classic screwball comedies of the 19! 30s, wit h the repressed male simultaneously attracted and horrified by a footloose dame. Some kooky moments are a little strained, but at other times the movie has a refreshing realism about human emotions. Overall, a much more engaging and entertaining flick than its ad campaign suggests. Also featuring Alyson Hannigan from the TV show Buffy the Vampire Slayer and Heather Donahue from The Blair Witch Project. --Bret FetzerBehind the generic title of Boys & Girls lies a surprising enjoyable and nuanced romantic comedy. Teen heartthrob Freddie Prinze Jr. plays Ryan, a dorky, emotionally sincere young guy who keeps crossing paths with Jennifer, played by Claire Forlani, an independent and willfully unattached young woman. Their chance meetings coincide with relationship traumas and they start to confide in each other, which leads to a more genuine friendship and, in the midst of their college years, a romance. It's a bit of a stock plot line to have their ! friendship threatened by sexual attraction, but Boys & Girls has just enough genuine feeling to make it compelling. Meanwhile, Jason Biggs (from American Pie) plays Ryan's roommate, a compulsive liar and would-be scam artist, who carries off some pretty funny scenes. Forlani and Prinze work together quite well. Their performances hearken back to the classic screwball comedies of the 1930s, with the repressed male simultaneously attracted and horrified by a footloose dame. Some kooky moments are a little strained, but at other times the movie has a refreshing realism about human emotions. Overall, a much more engaging and entertaining flick than its ad campaign suggests. Also featuring Alyson Hannigan from the TV show Buffy the Vampire Slayer and Heather Donahue from The Blair Witch Project. --Bret FetzerStarring most of the club kids in Hollywood, The Boys and Girls Guide to Hollywood is an outrageous story blended with a how to guide to! enjoy a truly insane party lifestyle. The film follows a gro! up of Ho llywood party-goers on their escapade as they travel from home to bar to party to after-party seeking the ultimate party experience. Through their adventure, viewers will learn truly insightful and at times politically incorrect lessons in nightlife etiquette, which will leave you feeling a bit dirty for enjoying it so much.Behind the generic title of Boys & Girls lies a surprising enjoyable and nuanced romantic comedy. Teen heartthrob Freddie Prinze Jr. plays Ryan, a dorky, emotionally sincere young guy who keeps crossing paths with Jennifer, played by Claire Forlani, an independent and willfully unattached young woman. Their chance meetings coincide with relationship traumas and they start to confide in each other, which leads to a more genuine friendship and, in the midst of their college years, a romance. It's a bit of a stock plot line to have their friendship threatened by sexual attraction, but Boys & Girls has just enough genuine feeling to make i! t compelling. Meanwhile, Jason Biggs (from American Pie) plays Ryan's roommate, a compulsive liar and would-be scam artist, who carries off some pretty funny scenes. Forlani and Prinze work together quite well. Their performances hearken back to the classic screwball comedies of the 1930s, with the repressed male simultaneously attracted and horrified by a footloose dame. Some kooky moments are a little strained, but at other times the movie has a refreshing realism about human emotions. Overall, a much more engaging and entertaining flick than its ad campaign suggests. Also featuring Alyson Hannigan from the TV show Buffy the Vampire Slayer and Heather Donahue from The Blair Witch Project. --Bret FetzerBOYS AND GIRL FROM COUNTY CLARE - DVD MovieIT'S A BOY GIRL THING - DVD MovieThis multi voice changer is lots of fun for children, yes even for adults! Ten different voice modifiers in one 6.5 inch voice changer! Use the side levers to create even ! more variations. Features flashing LED lights. Requires one 9V! battery , included. Comes in assorted colors, yours will be chosen at random from stock.

Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

• All Metal Design
• Built-in 1.4x Multi-Coated Focusing Correction Lens
• Removable Glasss Element for Macro Photography
• Smooth surface for effortless mount
• 24 Month Manufacture Warranty

DETROIT 9000 - DVD MovieThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the ! department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerIf you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages. Certain prime lens just can't be replaced, and you save cost of purchase lenses. Â! ­Fotodiox offers a range of adapter from large format to small! er forma t digital adapters. Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

Enemy At the Gates : Widescreen Edition

• Widescreen

BASED ON THE TRUE STORY OF WORLD WAR II RUSSIAN HERO VASSILI ZAITSEV, WHOSE FAME THRUST HIM INTO A PERSONAL WAR WITH THE NAZIS' BEST SHARPSHOOTER.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed ! Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon
Genre: Action/Adventure
R! ating: R
Release Date: 19-MAY-2009
Media T! ype: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet off! icer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

Flushed Away

• All New Slug Songs
• Hours of Interactive Fun with DVD-Rom features.
• 12 Games and Challenges.
• Soccer Showdown - Belched Away - Sludge Buster
• Ice Maker - Disco Le Frong - And Many More

Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is rather rudely evicted from his Kensington flat when he is flushed down into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely! hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is v! ery distinctive. Like Nick Park's Chicken Run and Wa! llace an d Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really wor! th the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi

---

Fun Facts from Flushed Away

• In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
• Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromitâ! €™s head is a pencil top in the Jammy Dodger, the penguin from! Wall ace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
• There are officially 60 million rats in the UK. That’s one rat for every person.
• The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
• Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.!

---

Stills from Flushed Away (click for larger image)

Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is! rather rudely evicted from his Kensington flat when he is flu! shed dow n into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the unde! rworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride l! oaded with inside jokes and enough crude humor to earn a PG ra! ting, an d the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi

---

Fun Facts! from Flushed Away

• In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
• Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
• There are officially 60 million rats in the UK. That’s one rat for every person.
• The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker b! us: Ice chest, retro flipping numbers alarm clock, bike la! mp, buck le, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
• Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

---

Stills from Flushed Away (click for larger image)

Limited Edition is packaged in clear case with blue gel-pack that makes it appear the disc and characters are underwater.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French me! rcenary Le Frog (Jean Reno).

While technically Flushed! Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi

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Fun Facts from Flushed Away

• In Tabitha's ro! om, there are a variety of dolls from previous DreamWorks Anim! ation fi lms, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
• Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
• There are officially 60 million rats in the UK. That’s one rat for every person.
• The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. ! For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
• Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

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Stills from Flushed Away (click for larger image)

Beautiful Creatures (Beautiful Creatures, Book 1)

• ISBN13: 9780316077033
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection bet! ween them.

In a town with no surprises, one secret could change everything.Ethan Wate is struggling to hide his apathy for his high school "in" crowd in small town Gatlin, South Carolina, until he meets the determinedly "out" Lena Duchannes, the girl of his dreams (literally--she has been in his nightmares for months). What follows is a smart, modern fantasy--a tale of star-crossed lovers and a dark, dangerous secret. Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery until you emerge gasping and blinking, wondering what happened to the last few hours (and how many more you're willing to give up). To tell too much of the plot would spoil the thrill of discovery, and believe me, you will want to uncover the secrets of this richly imagined dark fantasy on your own. --Daphne Durham

Amazon Exclusive Interview with Kami Garcia an! d Margaret Stohl, Authors of Beautiful Creatures < /strong>

What does your writing process look like? Is it tough to write a book together? Did you ever have any knock-down drag-out fights over a plot point or character trait?

Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.

Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."

Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust fr! om the start.

Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.

Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typing…okay, that one is understandable, given the page count for "Beautiful Creatures."

Kami: What can I say? I was saving the other seven fingers for the sequel.

What kinds of books do you like to read?

Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.

Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I ! just have to write it first so I can read it.

! Wha t books/authors have inspired you?

Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.

Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.

Did you set out to write fiction for young adults? Why?

Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.

Margie: Not so much readers as bosses.

Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.

Margi! e: And by week she means day.

Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.

Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.

A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?

Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"

Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.

Kami: I never thought of it like t! hat. I guess we do spend all our time talking about imaginary ! people. Margie: So long as it's not to them…

Did you always plan to start the book with Ethan's story? Why?

Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothersâ€"-six, between us-â€"so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.

Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.

Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.

What is on your nightstand now?

Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of ! "Sisters Red" by Jackson Pearce.

Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!

What is your idea of comfort reading?

Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.

Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.

Have you written the next book already? What's next for Lena and Ethan?

Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.

Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even ! higher.

Margie: That's true. Book two involves tru! e love, broken hearts, the Seventeenth Moon, and cream-of-grief casseroles…

Kami: Gatlin at it's finest!

All About My Mother

• Widescreen
• Exclusive Interview with director Pedro Almodovar
• Subtitles in English and French
• Director's production notes
• Talent files

A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About Eve, and A Streetcar Named Desire, the mothers (and fathers and actors) live out grief, love, and friendship.After her son is killed in an acc! ident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, A! ll About My Mother approaches its twists and turns with a ! broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerAfter her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actres! ses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer