Friday, November 25, 2011

The Unknown Civil War Series: Gettysburg

  • GETTYSBURG (DVD MOVIE)
Depicts the famous Civil War battle which was the turning point of the war.
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 7-JUN-2005
Media Type: DVDThree days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of li! fe, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonMarking the 150th-anniversary commemoration of the Civil War, Ronald F. Maxwell’s acclaimed film now arrives in a Director’s ! Cut featuring 17 minutes of compelling additional footage. Fil! med at a ctual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.Three days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importan! ce only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonA masterful, single-volume history of the Civil War's gre! atest ca mpaign.

 

Drawing on original source material, from soldiers' letters to official military records of the war, Stephen W. Sears's Gettysburg is a remarkable and dramatic account of the legendary campaign. He takes particular care in his study of the battle's leaders and offers detailed analyses of their strategies and tactics, depicting both General Meade's heroic performance in his first week of army command and General Lee's role in the agonizing failure of the Confederate army. With characteristic style and insight, Sears brings the epic tale of the battle in Pennsylvania vividly to life.Key battles of America's Civil War thunder across the screen in two richly scaled, rigorously authentic, powerfully compelling epics based on acclaimed historical novels by Michael Shaara. The tide of the war changes during three fierce days of combat at Gettysburg [Disc 1], the gripping saga of the tactics, command errors and sacrifices behind the bloodiest bat! tle ever fought on U.S. soil. Gods and Generals [Disc 2] reveals the spirited allegiances and fierce combat of earlier Civil War struggles, framing its tale with the fateful clashes at Bull Run, Fredericksburg and Chancellorsville. These sprawling films remind us of the people, passions and heroism that fanned the flames of a country at war with itself.Studio: A&e Home Video Release Date: 09/20/2011 Run time: 94 minutesThe epic battle of Gettysburg, fought over a three-day period at the beginning of July 1863, was bloody, brutal, and bitter--making it ideally suited to the History Channel's testosterone-fueled documentary approach. Viewers familiar with offerings like Battles B.C., Patton 360, and multiple others will recognize this style: loud and kinetic, flashy and unsubtle, Gettysburg blends reenactments, photos, CGI (used to depict and dissect the weaponry that made the Civil War's body count so high in general, with some 50,000 casualties at Get! tysburg alone), Sam Rockwell's macho voice-over narration, act! ors read ing the reminiscences of the participants, and a variety of expert talking heads holding forth. For the most part, it works; historians and Civil War buffs have already noted some of the factual errors, important omissions, and other problems with the material, but those less versed in the details will come away from this 94-minute program (which was executive produced by noted directors Tony and Ridley Scott) with a good deal of information about the confrontation that inspired President Abraham Lincoln's immortal address, referenced near the end of the documentary. Typical of the History Channel, some of this information is delivered in hyperbolic, melodramatic fashion. Gettysburg was "the largest battle ever fought in the Western Hemisphere," while the cannons that blasted away at Gen. Robert E. Lee's men during the fateful attack known as Pickett's Charge was "the largest artillery barrage ever" in that same sphere; numerous other events are the biggest, the most iconic,! the most important, and so on. The overheated writing does Gettysburg no favors, but director Adrian Moat and the other filmmakers' decision to focus on a variety of individuals on both sides was a wise one. Thus we learn about characters like Maj. Gen. Dan Sickles of the North, who had killed his wife's lover before the war and successfully used "the first plea of temporary insanity in U.S. history" to win acquittal; Pvt. Amos Humiston, another Yank, who died on the streets of the Pennsylvania town with nothing to identify him except a photo of his three sons; Confederate Lt. Gen. Dick Ewell, who had vowed revenge after losing a leg earlier in the war; Col. James Wallace, a Marylander who was both a Union officer and slave owner; and numerous others. In the end, it's these portraits that help distinguish the program from the many, many others of its ilk. --Sam Graham“[I]n a larger sense, we can not dedicateâ€"we can not consecrateâ€"we can not hallowâ€"thi! s ground. The brave men, living and dead, who struggled here, ! have con secrated it, far above our power to add or detract.”
â€"President Abraham Lincoln

James M. McPherson, the Pulitzer Prizeâ€"winning author of Battle Cry of Freedom, and arguably the finest Civil War historian in the world, walks us through the site of the bloodiest and perhaps most consequential battle ever fought by Americans.

The events that occurred at Gettysburg are etched into our collective memory, as they served to change the course of the Civil War and with it the course of history. More than any other place in the United States, Gettysburg is indeed hallowed ground. It’s no surprise that it is one of the nation’s most visited sites (nearly two million annual visitors), attracting tourists, military buffs, and students of American history.

McPherson, who has led countless tours of Gettysburg over the years, makes stops at Seminary Ridge, the Peach Orchard, Cemetery Hill, and Little Round Top, among other key locations. He reflect! s on the meaning of the battle, describes the events of those terrible three days in July 1863, and places the struggle in the greater context of American and world history. Along the way, he intersperses stories of his own encounters with the place over several decades, as well as debunking several popular myths about the battle itself.

What brought those 165,000 soldiersâ€"75,000 Confederate, 90,000 Unionâ€"to Gettysburg? Why did they lock themselves in such a death grip across these once bucolic fields until 11,000 of them were killed or mortally wounded, another 29,000 were wounded and survived, and about 10,000 were “missing”â€"mostly captured? What was accomplished by all of this carnage? Join James M. McPherson on a walk across this hallowed ground as he be encompasses the depth of meaning and historical impact of a place that helped define the nation’s character.Gettysburg â€" Director’s Cut
Marking the 150th-anniversary commemoration of ! the Civil War, Ronald F. Maxwell’s acclaimed film now arrive! s in a D irector’s Cut featuring 17 minutes of compelling additional footage. Filmed at actual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.
Gods & Generals â€" Extended Director’s Cut Reedited from beginning to end with amplified scenes and an added subplot, this all-new Extended Director’s Cut of Ronald F. Maxwell’s Gettysburg prequel restores his original vision of the fierce allegiances and combat of the early American Civil War. From Jeffrey M. Shaara’s bestseller, this commemorative release coinciding with the 150th anniversary of the North/South conflict incorporates an hour of f! ootage never seen before. The story of actor and future Presidential assassin John Wilkes Booth (Chris Conner) is newly integrated throughout the narrative alongside the legendary heroism of Joshua Chamberlain (Jeff Daniels), “Stonewall” Jackson (Stephen Lang) and Robert E. Lee (Robert Duvall). And the battle of Antietam is now included along with the fateful clashes at Manassas, Fredericksburg and Chancellorsville.

The Battle of Gettysburg has become the great "what if" of American history. Gettysburg unfolds an alternate path and creates for General Robert E. Lee the victory he might have won. Full of dramatic battle scenes, military strategy, and captivating period details, Gettysburg stands as a remarkable entry in the pantheon of Civil War literature and as a vivid novel of the realities of war.

The year is 1863, and General Robert E. Lee and his Army of Northern Virginia are poised to attack the North and claim the victory that could end the brutal conf! lict. Launching his men into a vast sweeping operation, Genera! l Lee, a cting as he did at Chancellorsville, Second Manassas, and Antietam, displays the audacity of old. He knows he has but one more good chance to gain ultimate victory. Now Lee's lieutenants and the men in the ranks, imbued with this renewed spirit of the offensive, embark on the Gettysburg Campaign that many dream "should have been"...
GETTYSBURG - DVD Movie

The Foot Fist Way Poster 27x40 Danny R. McBride Ben Best Mary Jane Bostic

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  • The Foot Fist Way Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
An inept karate instructor struggles with marital troubles and an unhealthy obsession with fellow karate enthusiast Chuck "The Truck" Williams. If there's such a thing as a destined-to-be-cult film, The Fist Foot Way is one. Self-aggrandizing tae kwon do instructor Fred Simmons (Danny McBride, Drillbit Taylor, Tropic Thunder) belittles his young and inexperienced students and snipes at his wife Suzie (Mary Jane Bostic). But when marital trouble strikes, Fred's sense of self capsizes and he starts acting out in wildly inappropriate ways. Whe! n a pilgrimage to meet his hero, sleazy martial arts champion Chuck "The Truck" Wallace (Ben Best), has terrible results, Fred must confront his demons--and, this being a comedy, his struggle is wildly unsuccessful. McBride is a white trash American version of Ricky Gervais (BBC's The Office); he's created a character whose excruciatingly bad behavior can't be dismissed because it's too real. Jeff Simmons is petty, tyrannical, insecure, delusional, lacking any sliver of dignity--i.e., human in all the worst ways. Many people will find The Foot Fist Way unendurable, but some members of the moviegoing public (and you'll know who you are the moment you see this movie) are going to find it painfully funny, so funny they'll have to turn away and cringe from recognition even as they succumb to fits of giggles. --Bret FetzerHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and infor! mative books. To date, this content has been curated from Wiki! pedia ar ticles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Gary Sanchez productions.

More info: Gary Sanchez Productions is a production company operated by Will Ferrell and Adam McKay. They also founded the video site Funny or Die.The Foot Fist Way reproduction poster print

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Bee Movie (Two-Disc Blu-ray/DVD Combo)

  • Features include: -MPAA Rating: PG -Format: Blu-Ray
"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He ultimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's lif! e: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hys! terical moments in the film, as one would expect from a Seinfe! ld produ ction, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menia! l job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He ultimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the ! world.There aren't a lot of choices in a bee's life: a bee att! ends a f ew days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in th! e film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while str! essing the importance of doing even the most menial job well a! nd champ ioning the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi

Features include:

•MPAA Rating: PG
•Format: Blu-Ray

Goodbye Solo Korean Drama Dvd with English Subtitle NTSC All region code 4 dvds

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Thursday, November 24, 2011

The Girl Who Kicked the Hornet's Nest [Blu-ray]

  • GIRL WHO KICKED THE HORNET'S NEST BLU (BLU-RAY DISC)
The stunning third and final novel in Stieg Larsson's internationally best-selling trilogy...

Lisbeth Salander--the heart of Larsson's two previous novels--lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge--against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.

Once upon a time, she was a victim! . Now Salander is fighting back.Amazon Best Books of the Month, May 2010 As the finale to Stieg Larsson's Millennium Trilogy, The Girl Who Kicked the Hornet's Nest is not content to merely match the adrenaline-charged pace that made international bestsellers out of The Girl with the Dragon Tattoo and The Girl Who Played with Fire. Instead, it roars with an explosive storyline that blows the doors off the series and announces that the very best has been saved for last. A familiar evil lies in wait for Lisbeth Salander, but this time, she must do more than confront the miscreants of her past; she must destroy them. Much to her chagrin, survival requires her to place a great deal of faith in journalist Mikael Blomkvist and trust his judgment when the stakes are highest. To reveal more of the plot would be criminal, as Larsson's mastery of the unexpected is why millions have fallen hard for his work. But rest assured that the odds a! re again stacked, the challenges personal, and the action frau! ght with neck-snapping revelations in this snarling conclusion to a thrilling triad. This closing chapter to The Girl's pursuit of justice is guaranteed to leave readers both satisfied and saddened once the final page has been turned. --Dave Callanan

Readers all across America are talking about Stieg Larsson’s #1 best-selling trilogyâ€"The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nestâ€"which has more than 12 million copies in print. 

Now, just in time for the holidays: a deluxe, slip-cased set of the three hardcover novelsâ€"each unjacketed, bound in full cloth and uniquely stamped, with maps and individual full-color endpapersâ€"as well as On Stieg Larsson, a previously unpublished collection of essays about and correspondence with the author.

The perfect collectible for the Stieg Larsson fan and the ideal gift for those who have yet to meet his heroine, Lisbeth Salander, â! €œone of the most fascinating characters in modern genre fiction” (San Francisco Chronicle).

Get to know the bestselling series that Amazon (and its customers) have loved from the very beginning with this deluxe, slip-cased set of all three hardcover books in the Millennium Trilogy, along with On Stieg Larsson, a never-before-published collection of reflections about and correspondence with the author. Read our reviews of the books:

Amazon Best of the Month, September 2008: Once you start The Girl with the Dragon Tattoo, there's no turning back. This debut thriller--the first in a trilogy from the late Stieg Larsson--is a serious page-turner rivaling the best of Charlie Huston and Michael Connelly. Mikael Blomkvist, a once-respected financial journalist, watches his professional life rapidly crumble around him. Prospects appear bleak until an unexpected (and unsettling) offer to resurrect his name is extended by an! old-school titan of Swedish industry. The catch--and there's ! always a catch--is that Blomkvist must first spend a year researching a mysterious disappearance that has remained unsolved for nearly four decades. With few other options, he accepts and enlists the help of investigator Lisbeth Salander, a misunderstood genius with a cache of authority issues. Little is as it seems in Larsson's novel, but there is at least one constant: you really don't want to mess with the girl with the dragon tattoo.

Amazon Best of the Month, July 2009: The girl with the dragon tattoo is back. Stieg Larsson's seething heroine, Lisbeth Salander, once again finds herself paired with journalist Mikael Blomkvist on the trail of a sinister criminal enterprise. Only this time, Lisbeth must return to the darkness of her own past (more specifically, an event coldly known as "All the Evil") if she is to stay one step ahead--and alive. The Girl Who Played with Fire is a break-out-in-a-cold-sweat thriller that crackles with stunn! ing twists and dismisses any talk of a sophomore slump. Fans of Larsson's prior work will find even more to love here, and readers who do not find their hearts racing within the first five pages may want to confirm they still have a pulse. Expect healthy doses of murder, betrayal, and deceit, as well as enough espresso drinks to fuel downtown Seattle for months.

Amazon Best Books of the Month, May 2010 As the finale to Stieg Larsson's Millennium Trilogy, The Girl Who Kicked the Hornet's Nest is not content to merely match the adrenaline-charged pace that made international bestsellers out of The Girl with the Dragon Tattoo and The Girl Who Played with Fire. Instead, it roars with an explosive storyline that blows the doors off the series and announces that the very best has been saved for last. A familiar evil lies in wait for Lisbeth Salander, but this time, she must do more than confront the miscreants of her past; she ! must destroy them. Much to her chagrin, survival requires her! to plac e a great deal of faith in journalist Mikael Blomkvist and trust his judgment when the stakes are highest. To reveal more of the plot would be criminal, as Larsson's mastery of the unexpected is why millions have fallen hard for his work. But rest assured that the odds are again stacked, the challenges personal, and the action fraught with neck-snapping revelations in this snarling conclusion to a thrilling triad. This closing chapter to The Girl's pursuit of justice is guaranteed to leave readers both satisfied and saddened once the final page has been turned.


The stunning third and final novel in Stieg Larsson’s internationally best-selling trilogy

Lisbeth Salanderâ€"the heart of Larsson’s two previous novelsâ€"lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she r! ecovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revengeâ€"against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.

Once upon a time, she was a victim. Now Salander is fighting back.


From the Hardcover edition.Amazon Best Books of the Month, May 2010 As the finale to Stieg Larsson's Millennium Trilogy, The Girl Who Kicked the Hornet's Nest is not content to merely match the adrenaline-charged pace that made international bestsellers out of The Girl with the Dragon Tattoo and The Girl Who Played with Fire. Instead, it roars with an explosive storyline th! at blows the doors off the series and announces that the very ! best has been saved for last. A familiar evil lies in wait for Lisbeth Salander, but this time, she must do more than confront the miscreants of her past; she must destroy them. Much to her chagrin, survival requires her to place a great deal of faith in journalist Mikael Blomkvist and trust his judgment when the stakes are highest. To reveal more of the plot would be criminal, as Larsson's mastery of the unexpected is why millions have fallen hard for his work. But rest assured that the odds are again stacked, the challenges personal, and the action fraught with neck-snapping revelations in this snarling conclusion to a thrilling triad. This closing chapter to The Girl's pursuit of justice is guaranteed to leave readers both satisfied and saddened once the final page has been turned. --Dave CallananThe stunning third and final novel in Stieg Larsson’s internationally best-selling trilogy

Lisbeth Salanderâ€"the heart of Larsson’s two previous novelsâ€! "lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revengeâ€"against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.

Once upon a time, she was a victim. Now Salander is fighting back.


From the Hardcover edition.Stieg Larsson’s Millennium Trilogy is now available in a complete hardcover set.

All across America, readers are talking about Stieg Larsson’s best-selling novels, set in Sweden and featuring Lisbeth S! alanderâ€"“one of the most original and memorable heroines t! o surfac e in a recent thriller” (The New York Times). The trilogy is an international sensation that will grab you and keep you “reading with eyes wide open” (San Francisco Chronicle). “[It] is intricately plotted, lavishly detailed but written with a breakneck pace and verve” (The Independent, U.K.), but “be warned: the trilogy is seriously addictive.” (The Guardian, U.K.).

“Believe the hype . . . It’s gripping stuff.”
â€"People

“Stieg Larsson clearly loved his brave misfit Lisbeth. And so will you.”
â€"USA Today
“Larsson has bottled lightning.”
â€"Los Angeles Times

The Girl with the Dragon Tattoo
Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared without a trace more than forty years ago. All these years later, her aged uncle continues to try to discover what happened to her. He hires Mikael Blomkvist, a journalist recently sidel! ined by a libel conviction, to investigate. Blomkvist is aided by the pierced and tattooed computer prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption on their way to discovering the truth of Harriet Vanger’s fate.

The Girl Who Played with Fire
Mikael Blomkvist, now the crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation of the murders. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.

The Girl Who Kicked the Hornet’s Nest
Lisbeth Salander lies in critical condition, a bullet wo! und to her head, in the intensive care unit of a Swedish city ! hospital . She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. On her own, she will plot revengeâ€"against the man who tried to kill her, and against the corrupt government institutions that very nearly destroyed her life.

“Unique and fascinating . . . Like a blast of cold, fresh air.”â€"Chicago Tribune

“Wildly suspenseful . . . Intelligent, ingeniously plotted, utterly engrossing.”
â€"The Washington Post

“A gripping, stay-up-all-night read.” â€"Entertainment Weekly

“Dynamite.” â€"Variety
The final installment of Stieg Larsson s "Millennium" trilogy following The Girl With the Dragon Tattoo an! d The Girl Who Played With Fire The Girl Who Kicked the Hor s Nest finds Lisbeth Salander fighting for her life in more ways than one. In an intensive care unit and charged with three murders she will have to not only prove her innocence but also identify and denounce the same corrupt government institutions that nearly destroyed her life. Once upon a time she was a victim. Now Lisbeth Salander is fighting back. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 705105742557 UPC: 705105742557 Manufacturer No: MBFHE009It takes a while, but the saga of one of the more fascinating characters put on the page or the screen in recent years comes to a satisfying conclusion with The Girl Who Kicked the Hornet's Nest, the last installment of the late Swedish author Stieg Larsson's so-called Millennium Trilogy. That character is Lisbeth Salander, the computer-hacking, Goth-loving, dark angel of revenge, played by Noomi Rapace with the same black stare and tacitur! n charisma that were so riveting in the first two films (Th! e Girl w ith the Dragon Tattoo and The Girl Who Played with Fire, both also released in 2010). When we last saw her, Lisbeth was trying to kill her father, a Russian defector and abusive monster; in the process, the girl was seriously wounded by her half-brother, a hulking freak with a strange condition that renders him impervious to physical pain. As the new film opens, all three are still alive, and she's being taken to a hospital to recover while waiting to stand trial for attempted murder. Meanwhile, her champion and erstwhile lover, journalist Mikael Blomkvist (Michael Nyqvist), sets about uncovering the full extent of the conspiracy responsible for (among other crimes) Lisbeth's being sent to an asylum at age 12 while her father was protected by evil forces within the government. This investigation, which puts not only Lisbeth but also Blomkvist and his colleagues in considerable danger, leads to "the Section," a thoroughly repellent bunch of aging liars, killers, th! ieves, and perverts with a great many secrets they'd like to keep (the oily Dr. Peter Teleborian, who was responsible for Lisbeth's "treatment" as a child, emerges as the most vile antagonist since the guardian who brutally assaulted her in the first film). Although much of the exhaustive detail about these and other matters has been eliminated by director Daniel Alfredson (who also helmed The Girl Who Played with Fire) and screenwriters Jonas Frykberg and Ulf Ryberg for the purpose of adapting the novel to the screen, The Girl Who Kicked the Hornet's Nest is still quite long (148 minutes), and less kinetic and violent than the earlier films; there are some exciting sequences, but Lisbeth, previously an unlikely but magnetic action heroine, is seen mostly on a hospital bed or in a courtroom, and much of the film is spent on procedural matters. Still, the fact that the loose ends are wrapped up in fairly conventional fashion doesn't make the conclusion any less! satisfying. In fact, the only real letdown comes from knowing! that we won't get to see Noomi Rapace play Lisbeth Salander again. --Sam Graham

Wednesday, November 23, 2011

Cabin Fever

  • ISBN13: 9781419955044
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Greg Heffley is in big trouble. School property has been damaged, and Greg is the prime suspect. But the crazy thing is, he’s innocent. Or at least sort of.

The authorities are closing in, but when a surprise blizzard hits, the Heffley family is trapped indoors. Greg knows that when the snow melts he’s going to have to face the music, but could any punishment be worse than being stuck inside with your family for the holidays?

Amazon Exclusive: A Q&A with Jeff Kinney

Question: Given all the jobs that you have--game designer, fatherhood, Diary of a Wimpy Kid movie work, etc.,--do you have a certain time that you set aside to write?

Kinney: I still treat writing like a hobby, working mostly at night and sometimes on weekends. But when a deadline looms my hobby time gets extended into the wee hours of the night. It's not uncommon for me to work until 4:00 a.m., and I'm usually back at work by 9:00 a.m.

Q: Did you get to choose which character you would play in the Wimpy Kid films (Mr. Hills)? What do you enjoy most about working on the movies?

Kinney: I never any real desire to appear in the Wimpy Kid films, but one day my wife encouraged me to be an extra in one of the crowd scenes. So I walked onto the set, ready to ask the assistant director to put me somewhere in the back. It happened that right at that moment the director was look! ing for someone to play the role of Mr. Hills, Holly Hills's f! ather. W hat I didn't realize was that I'd be front and center in the church scene, and in the new movie, I'm even more prominent. I'm incredibly self-conscious so appearing on-camera was a real stretch for me.

Q: In 2009 Time magazine named you as one of the 100 Most Influential People in the World--what’s the first thing you did after you found out?

Kinney: I thought it was a practical joke, so I tried to track down the source of the joke. I eventually reached a voicemail of a reporter who said they worked for Time, and at that point I thought it was just a well-planned practical joke. It took me a while to realize it was for real. It was a big honor, but I don't take it very seriously. I'm the fourth most influential person in my own house.

Q: Would you ever consider making Wimpy Kid into a newspaper comic strip or creating another one? Do you have any favorite comic strips that you currently read?

! Kinney: I've considered it. I set out to become a newspaper cartoonist but failed to break in. But I like the freedom books give me, so it would be tough to cram my ideas into three or four panels.

Q: What is (or could be) you motto in life?

Kinney: I was inspired to write by a Benjamin Franklin quote: "Well done is better than well said." But I always encourage kids to "create something great," because the tools to create something original and find an audience are available to them like never before.

Q: What was your favorite year in school, and why?

Kinney: Fifth grade was my favorite year. I had a great teacher, Mrs. Norton, who encouraged me to be funny and challenged me to be a better artist and joke-teller than I was. I liked it that she didn't coddle me.

Q: Kids now ask for a book that is “like Diary of a Wimpy Kid,” and with this series you’ve created a whole! new subset of books for young readers--how does it feel to be! the per son behind such massive book enjoyment, reaching reluctant readers, and spawning any number of titles that aspire to be “the next Wimpy Kid?”

Kinney: I'm happy that kids are reading. I think graphical books reach kids who might otherwise see books as work. Books should be fun!

A modern Walden--if Thoreau had had three kids and a minivan--Cabin Fever is a serious yet irreverent take on living in a cabin in the woods while also living within our high-tech, materialist culture.
 
Try to imagine Thoreau married, with a job, three kids, and a minivan. This is the serious yet irreverent sensibility that suffuses Cabin Fever, as the author seeks to apply the hermit-philosopher’s insights to a busy modern life.
 
Tom Montgomery Fate lives in a Chicago suburb, where he is a husband, father, professor, and active member of his community. He also lives in a cabin built with the help of friends in the Michigan w! oods, where he walks by the river, chops wood, and reads Thoreau by candle light.
 
While he divides his time between suburbia and the cabin, Fate’s point is not to draw a line between the two but to ask what each has to say about the other. How do we balance nature (picking blackberries) with technology (tapping BlackBerrys)? What is revealed about human boundaries when a coyote wanders into a Quiznos? Can a cardinal protecting chicks from a hungry cat teach us anything about instincts and parenting? Fate seeks a more attentive, deliberate way of seeing the world and our place in it, not only among the trees and birds but also in the context of our relationships and society.
 
A seasonal nature memoir, Cabin Fever takes readers on a search for the wild both in the woods and within ourselves. Although we are often estranged from nature in our daily lives, Fate shows that we can recover our kinship with the earth and its other inhabitants if we a! re willing to pay attention.
 
In his exploration of! how we are to live “a more deliberate life” amid a high-tech, material world, Fate invites readers into an interrogation of their own lives, and into a new kind of vision: the possibility of enough in a culture of more.A log cabin in the woods is one of America's most cherished icons -- a dream shared around the world. As the stress level of city life rises, more and more of us are imagining our own cottages far away from traffic lights and urban distractions. Cabins in the wilderness have never gone out of style, because the rustic life is a simple, rewarding one rooted in the traditions of the great outdoors.

Featuring rustic interiors as well as North Woods architecture, Cabin Fever visits more than two dozen charming retreats old and new, large and small, in the mountains and along the water, from the wilds of New York out to the wild, wild West. Author Rachel Carley explains where our love for the rustic comes from and shows the amazingly varied guises in which ! it appears today.

After serving as settlers' cabins, log homes enjoyed a phenomenal popularity in the late nineteenth century. Wealthy families such as the Vanderbilts, Guggenheims, and Carnegies summered in areas as remote as they could find, building what were euphemistically called camps. Those less affluent, following the era's prescription for fresh air and simplicity, traveled to even more rustic hotels and vacation cabins to get their share of the refreshing woods. Cabin Fever presents some of the best of these old lodges and private cabins, along with striking new homes that give a contemporary twist to the ideal of the rustic life.

To help fill a cabin, a whole camp, or even an apartment with the latest in rustic style, the book's catalogue shows where to find home furnishings from twig bedsteads to Hudson Bay blankets to Adirondack chairs. Brimming with exceptionally creative ideas for achieving this truly American look, this enchanting guide to liv! ing with the rustic style will cure every variety of cabin fev! er.The c raze for "getting away from it all" in buildings of log, stone, and unpainted lumber has been a part of American life since the 1800s. From the Gilded Age retreats of the Catskills and Adirondacks to the rugged Wild West lodges of Yellowstone and Yosemite, Cabin Fever celebrates the architectural elements that make cabin style unique: gleaming hand-peeled and polished logs, cowhide sofas, and river-rock fireplaces. Some are large, old, and built as public lodgings, like Putnam Camp, the Adirondack summer retreat founded by philosopher William James, which still has the cheerful austerity it had when Freud and Jung mingled there with Harvard academicians. Others, like the grand hunting lodge nestled on the edge of a marsh, are more recent monuments to quirky private visions of the perfect rustic retreat. Rooms in both are accessorized with animal heads, native American blankets and art, snowshoes, antler chandeliers, and willow twig furniture. The book's ! appendix includes catalog sources for everything from small wooden summerhouses to buffalo-plaid blankets, and a list of hotels in the grand old style (like Yosemite's Ahwahnee and the Grand Canyon's El Tovar). Even if you can't have a piece of the wilderness to call your own (and the burl furniture to match), you can still enjoy the rustic yet substantial comforts of Cabin Fever.

 

Love isn’t something she thinks she needs…until it lands right on her doorstep.
 
Genevieve Boden is a witch and doesn’t care who knows. The townspeople’s fear of her keeps away those who have hurt her beforeâ€"like the local men of authority. Besides, a life of exile deep in the woods of West Virginia is due punishment, she figures, for the part she played in her mother’s death. If she’s alone, no one need know that the trauma took away her powers.
 
Then she finds a bloody, fatally wounded man slumpe! d on her porch. In an instant, her healing ability reawakensâ€! "and tha t’s not all. He stirs a hunger beyond her wildest dreams. But a relationship with the new chief of police? Not a chance.
 
Alex Rivera isn’t sure how he survived, but he’s certain his beautiful savior did more than just bandage his wounds. Captivated by this wary angel and stunned by the depth of emotion he feels for her, he vows to discover her secrets. After all, thanks to the raging snowstorm, they have nothing to do but share body heat.
 
Their sizzling attraction goes straight to their hearts. So could a killer’s bullet…once whoever shot Alex finds them.
 
Warning: Contains a convenient snowstorm that throws together two wounded characters who happen to be wildly attracted to each other, a drool-worthy hero, a shotgun-toting heroine, mattress sex, shower sex, couch sex, armchair sex, some light bondage, and a really good cup of hot cocoa.
 

 

Nikki and Ch! ase are about to make the most of a their bad situation.

When her roommate, needing a romantic weekend with her boyfriend, bribes her out of the house with use of an isolated cabin, Nikki reluctantly agrees. She didn’t realize the cabin came fully equipped with an uptight, yet incredibly sexy, man.

Chase is looking forward to a quiet weekend alone at his cabin. When he tackles someone who he believes to be an intruder, he’s surprised to find the unusual and sensual woman was given a key to his place.

Stuck together during a snowstorm, the heat from the fire isn’t the only thing heating up the cabin.Nikki and Chase are about to make the most of a their bad situation.

When her roommate, needing a romantic weekend with her boyfriend, bribes her out of the house with use of an isolated cabin, Nikki reluctantly agrees. She didn’t realize the cabin came fully equipped with an uptight, yet incredibly sexy, man.

Chase is lookin! g forward to a quiet weekend alone at his cabin. When he tackl! es someo ne who he believes to be an intruder, he’s surprised to find the unusual and sensual woman was given a key to his place.

Stuck together during a snowstorm, the heat from the fire isn’t the only thing heating up the cabin.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.Horace is a loner, a mountain man with a claim to a tiny stream of gold and a lonely ! cabin in the woods. When he finds young Walker wandering lost in his mountains just before the snow flies, he decides he's found exactly the kind of companionship he craves. Walker is young, naive, and totally unprepared for the kinds of amusements Horace has in store for him. Good thing he's willing to try new things, because Horace has a stern hand and a fine sense of adventure, showing Walker things he'd never dreamed of. But what will come when the spring thaw melts all that snow?Horace is a loner, a mountain man with a claim to a tiny stream of gold and a lonely cabin in the woods. When he finds young Walker wandering lost in his mountains just before the snow flies, he decides he's found exactly the kind of companionship he craves. Walker is young, naive, and totally unprepared for the kinds of amusements Horace has in store for him. Good thing he's willing to try new things, because Horace has a stern hand and a fine sense of adventure, showing Walker things he'd nev! er dreamed of. But what will come when the spring thaw melts a! ll that snow?Cabin Fever by Diana Hunter As soon as her date took the turn up the mountain, Isabel knew she was in trouble. Did all men take one look at her well-endowed breasts and think sex? The last thing she was about to do was make out in a tiny car on some godforsaken mountain with a date she never wanted to see again. Daniel Fox wanted to forget a case gone bad and a relationship gone sour. When a client he had defended killed his wife, Daniel takes a leave of absence and, alone, heads for a mountain retreat to deal with the guilt. The last thing he wants is company. A winter storm forces Isabel and Daniel together and they must share a tiny cabin with one bed. In that bed they discover a dark passion that rules them both. Neither of them gets what they had planned...but both get something better.
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