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• Winner of an Independent Spirit Award and named Best Documentary at the San Francisco International Film Festival, Lost Boys of Sudan follows two teenage Sudanese refugees on an extraordinary journey from Africa to America, offering a gripping and sobering peek into the myth of the American Dream. In the late 80s, Islamic fundamentalists in Sudan waged war on the country s separatists, leaving beh

An award-winning, critically acclaimed film, narrated by Nicole Kidman, God Grew Tired of Us explores the indomitable spirit of three "Lost Boys" from the Sudan who are forced to leave their homeland due to a tumultuous civil war. The film chronicles their triumph over seemingly insurmountable adversities and a relocation to America, where the Lost Boys build active and fulfilling new lives but remain deeply committed to helping friends and family they have left behind.

Orphaned b! y a tumultuous civil war and traveling barefoot across the sub-Saharan desert, John Bul Dau, Daniel Abol Pach and Panther Blor were among the 25,000 "Lost Boys" (ages 3 to 13) who fled villages, formed surrogate families and sought refuge from famine, disease, wild animals and attacks from rebel soldiers. Named by a journalist after Peter Pan’s posse of orphans who protected and provided for each other, the "Lost Boys" traveled together for five years and against all odds crossed into the UN’s refugee camp in Kakuma, Kenya. A journey’s end for some, it was only the beginning for John, Daniel and Panther, who along with 3800 other young survivors, were selected to re-settle in the United States.

"Lost Boy" John Bul Dau’s harrowing experience surviving the brutal horrors of Sudanese civil war and his adjustment to life in modern America is chronicled in this inspiring memoir and featured in an award-winning documentary film of the same name. Movingly written, the b! ook traces Dau’s journey through hunger, exhaustion, terror,! and vio lence as he fled his homeland, dodging ambushes, massacres and attacks by wild animals. His tortuous, 14-year journey began in 1987, when he was just 13, and took him on a 1,000-mile walk, barefoot, to Ethiopia, back to Sudan, then to a refugee camp in Kenya, where he lived with thousands of other Lost Boys. In 2001, at the age of 27, he immigrated to the United States. With touching humor, Dau recounts the shock of his tribal culture colliding with life in America. He shares the joy of reuniting with his family and the challenges of making a new life for himself while never forgetting the other Lost Boys he left behind.No Description Available.
Genre: Documentary
Rating: PG
Release Date: 4-MAR-2008
Media Type: DVDDVD-As We Forgive by Mpower Pictures(Drama) In April 1994, one of the most heinous genocides in world history began in the African nation of Rwanda. Over the course of 100 days, an estimated 800,000 people were killed in a te! rrifying purge by Hutu nationalists against their Tutsi countrymen. This harrowing HBO Films drama focuses on the almost indescribable human atrocities that took place a decade ago through the story of two Hutu brothers--one in the military, one a radio personality--whose relationship and private lives were forever changed in the midst of the genocide. Written and directed by Raoul Peck, (HBO Films' Lumumba) the movie is the first large-scale film about the 100 days of the 1994 Rwandan genocide to be shot in Rwanda, in the locations where the real-life events transpired.

DVD Features:
Audio Commentary
Featurette
Photo gallery

A clear-eyed look at the Rwandan genocide is offered in Sometimes in April, a frank take on the 1994 slaughter that claimed upwards of 800,000 lives. Some overlap with Hotel Rwanda is inevitable, and this HBO feature does have similarities, but without the strong suspenseful storyline of Ho! tel. Its protagonist (the strong Idris Elba, from The W! ire) pieces together the past tragedy from the perspective of a decade-later war-crimes tribunal, where his brother is on trial. It's hard to know which is less bearable--the depiction of atrocities, such as mass murder at a girls school, or the second-guessing of the international community, which largely stood by while the horror was unfolding. (Like Hotel Rwanda, this film zeroes in on the U.S. government's distinction that "acts of genocide" occurred in Rwanda rather than "genocide," a Joseph Heller-like absurdity.) The plain style of director Raoul Peck, shooting on location in Rwanda, works for the subject; his film Lumumba was also a direct, blunt account of a tragedy in Africa. The approach doesn't work as well in the U.S. scenes, which feature Debra Winger as a concerned official; these just look clumsy. But the subject itself remains worthy of close attention. --Robert HortonWinner of an Independent Spirit Award and named Best Documentary at the Sa! n Francisco International Film Festival, LOST BOYS OF SUDAN follows two teenage Sudanese refugees on an extraordinary journey from Africa to America, offering a gripping and sobering peek into the myth of the American Dream. In the late ‘80s, Islamic fundamentalists in Sudan waged war on the country’s separatists, leaving behind over 20,000 male orphans, otherwise known as "lost boys." For those who survived this traumatic ordeal and found their way to refugee camps, som were chosen to participate in a resettlement program in America--a distant place so presumably full of hope and opportunity that the Sudanese sometimes call it Heaven. But what if a free ticket to "Heaven" turned out to be anything but? Sidestepping conventional voice-over narration in favor of real-time, close-quarters poignancy, LOST BOYS OF SUDAN focuses on Santino and Peter, members of the Dinka tribe, during their first life-altering year in the United States. Safe at last from physical danger--but! a world away from home--the boys must grapple with extreme cu! ltural d ifferences as they come to understand both the abundance and alienation of contemporary American life.Lost Boys of Sudan, which premiered on PBS's P.O.V. series in 2003, is a gripping documentary about young refugees from the Sudanese conflict as well as a moving story of survival and acclimation in a strange and daunting land. The film centers around two young Dinka tribesmen who must flee a vicious civil war in their homeland and risk thirst, starvation, and animal attack to reach refugee camps thousands of miles away in Kenya in Ethiopia. Once there, the "lost boys'" journey begins again, as they are resettled in Houston, Texas, and must start new lives in a completely alien country. Eventually, their adjustment to 21st century life becomes the film's main focus; can they join American society and still retain their tribal connections? Told in simple but powerful images, Lost Boys of Sudan affectingly addresses themes of home, acceptance, family, and! what it means to be a member of societyâ€"-both America and the global community. --Paul Gaita